William Susman – Feature Blog Post on "NY, NY: A Century of City Symphony Films," by Jon Gartenberg

Thank you to acclaimed composer William Susman for his featured blog post on Jon Gartenberg's article "NY, NY: A Century of City Symphony Films," which was published in the Fall 2014 issue of Framework: The Journal of Cinema and Media. William Susman composed music for the film "Native New Yorker," which is part of Jon Gartenberg's traveling exhibition "A Panorama of American Experimental Narratives in the New Millennium."

"Where Did Our Love Go? Films of Warren Sonbert" – Program at Media City in Toronto

"Where Did Our Love Go? Films of Warren Sonbert" program at Media City in Toronto, Ontario that played last week. Program was curated by Jeremy Rossen and the films were introduced by Carla Harryman, one of the L=A=N=G=U=A=G=E poets with whom Sonbert interacted in his artistic practice.

A Retrospective Film Program Curated by Jon Gartenberg at the National Gallery of Art: "American Experiments in Narratives: 2000 – 2015"

National Gallery of Art, Washington D.C.
Sunday, May 10 – Saturday, June 13

Still from Our Nixon, courtesy Penny Lane

PROGRAM DESCRIPTION:
 
An eclectic look at independent artist-made cinema of this century, American Experiments in Narrative includes found footage works, hand-crafted animations, hybrids of fiction and documentary, as well as live-action movies that defy classic conventions. Thematically speaking, the program presents reflections on identity, community, family, political culture, and a variety of social issues. The artists represented are well versed in historic avant-garde technique but are also consciously engaged with the film industry canons — often subverting those traditions with novel storytelling strategies. While the majority of filmmakers may lack the sort of financial backing bestowed by Hollywood, this absence of monetary support actually allows greater freedom of expression. Jon Gartenberg, curator for the series, has worked extensively on the preservation, distribution, and programming of experimental cinema. He introduces the first program.

Click Here For Catalogue of Programs in this Series.

Gunvor Nelson's "DEPARTURES" screening at Cornell Cinema's "Cornell Alums Make Movies."

Gunvor Nelson’s MY NAME IS OONA and MOONS POOL will be screened in Cornell University’s Sage Chapel on Tuesday April 21 at 8pm, accompanied by the music of Powerdove. The artist’s films are distributed by Cornell Alum Jon Gartenberg’s company, GME.

http://cinema.cornell.edu/series_Spring2015/Cornell%20Alums%20Make%20Movies.html

"NY, NY: A Century Of City Symphony Films" by Jon Gartenberg – Framework Fall 2014 Issue

From the Fall 2014 issue of Framework – "NY, NY: A Century Of City Symphony Films" by Jon Gartenberg. This article, "…celebrates the ornate history of how the “city symphony” genre rendered New York from early twentieth-century actualitiés to late century avant-garde…" Available for purchase and through library access.

Jon Gartenberg Interviewed at The 8th Athens Avant-Garde Film Festival in Greece

Here is video of Jon Gartenberg being interviewed at the 8th Athens Avant-Garde film festival in Greece, where he curated a retrospective screening program entitled "A Panorama Of American Experimental Narratives In The New Millennium"

"Constructing American Experimental Narratives" – Round Table Discussion at The 8th Athens Avant-Garde Film Festival, Greece

Nov. 21st, 4pm. In conjunction with Jon Gartenberg's program "A Panorama Of American Experimental Narratives In The New Millennium" at the 8th Athens Avant-Garde Film Festival in Greece is a roundtable discussion "Constructing American Experimental Narratives" with filmmakers featured in the program, Abigail Child and Julie Talen along with Jon. Free admission.

http://8aagff.tainiothiki.gr/en/parallel-events/constructing-american-experimental-narratives/

Warren Sonbert Program at Indiana University

Warren Sonbert program at Indiana University's program "An Evening Of Warren Sonbert Short Films", Friday, Nov. 21st at 6:30 pm. Films of Warren Sonbert's to be shown include AMPHETAMINE (1966), NOBLESSE OBLIGE (1981), and WHIPLASH (1997).

The 8th Athens (Greece) Avant-garde Film Festival: "A Panorama of American Experimental Narratives in the New Millennium" A Retrospective Film Program Curated by Jon Gartenberg

A Retrospective Film Program Curated by Jon Gartenberg at the 8th Athens (Greece) Avant-garde Film Festival: "A Panorama of American Experimental Narratives in the New Millennium"      Athens Avant-garde Film Festival, Greece Wednesday, November 12 - Sunday, November 23 PROGRAM DESCRIPTION: This program provides a panorama of American experimental films made in the 21st century and focuses primarily on feature length narratives (both fiction and documentary), together with a complement of shorts.  Because these filmmakers lack the funding provided by Hollywood and "off-Hollywood" producers, they often struggle for long periods to complete their films.  At the same time, the creative independence that they have been afforded provides the individual filmmakers with great freedom of expression.  This talented group of artists, toiling mostly in solitude, created inspiring works that challenge, in thematic, structural, technical, and perceptual fashion, the manner in which we, as spectators, perceive the world at large. Stylistically, the films in this retrospective series encompass found footage works, diverse hand-crafted animation techniques, live action movies that experiment with formal structure, as well as hybrid documentary and fiction forms.  The contemporary artists in this program (while versed in the history of the avant-garde), are more consciously engaged with narrative cinema traditions, if only to then subvert them through their diverse storytelling strategies.  They most frequently represent time and space in a manner that tends to disrupt the illusion of spatial and temporal continuity, and to foreground the experience of memory.  Thematically, the films in this program incorporate reflections upon individual identity, the family structure, the fabric of the community, and the larger political culture, that are presented most often in critical and/or self-critical fashion.  They directly address significant social issues, including the tragic events of 9/11, presidential politics and political resistance, the earth's ecology, human diaspora and race relations, and the myth of the post World War II nuclear American family.  Please see pages 34-45 of the Festival Catalog, viewable and downloadable as a PDF Document here:   "A Panorama of American Experimental Narratives in the New Millennium"

Pesaro Film Festival - Program of American Experimental Narratives Curated by Jon Gartenberg

A Retrospective Film Program Curated by Jon Gartenberg at the 50th Annual Pesaro Film Festival: "A Panorama of American Experimental Narratives in the New Millennium"   Pesaro Film Festival, Italy Monday, June 23 - Saturday, June 28 PROGRAM DESCRIPTION: Since the 1960s, the United States has been a vibrant center of avant-garde filmmaking. Curator Jon Gartenberg's program offers a lesser-known face of US cinema in the Third Millennium (2001-2014).  No longer restricted to the underground experimentation of the past, today's equally innovative films incorporate more narrative elements. The selected films - by James Benning, John Gianvito, Penny Lane, Marie Losier, Ian Olds and James Franco, Jennifer Reeves, and Chris Sullivan - to name only a few - were made outside the dominant realm of commercial production, granting the directors great freedom from formal expression. Ranging from found footage and animation to live action and the hybrid form of docu-fiction, these stylistically heterogeneous films offer a compelling view of the American cultural and socio-political landscape.  Collectively, the filmmakers and their films touch upon the themes of individual identity, family dynamics, community, and the larger political culture. This retrospective film series comprises 17 film programs; an additional midnight screening of short films by the 6 American filmmakers in attendance at the festival (John Canemaker, Abigail Child, Thomas Allen Harris, Bill Morrison, Matthew Porterfield, and Julie Talen); a roundtable discussion with curator Jon Gartenberg, Festival Director Giovanni Spagnoletti, and these 6 filmmakers; and a master class by animation historian and filmmaker John Canemaker. For a description of the films in the retrospective, together with curator Jon Gartenberg's essay on this exhibition, please see pages 38-95 of the Festival Catalog, viewable and downloadable as a PDF Document here: "A Panorama of American Experimental Narratives  in the New Millennium"