GME is the proud DVD/Blu-ray distributor in North America of the Ernst Lubitsch film THE LOVES OF PHARAOH which screened at the Niles Essanay Silent Film Museum on February 21st and is screening at the Cleveland Museum of Art on May 4th. Click below for more details from the Cleveland Museum of Art website:
There are books, posters, and photographs. The latter mostly offer portraits of musicians — Hugh Bell’s gorgeous presentation of a gorgeous Sarah Vaughan stands out…
Birds—caged and escaped, singing and flying—have figured prominently throughout the history of jazz, and of African-American arts more broadly, Grant explains: think Nina Simone’s “Blackbird” and John Coltrane’s Bye Bye Blackbird. In the exhibition, they are a visual motif stitching the installations together. Illustrated birds decorate the pages of picture books, while a black and white portrait of saxophonist Charlie “Bird” Parker by Hugh Bell hangs on the neighboring wall…
GME was a proud sponsor of the 2015 Film and Costume Design Conference held at NYU Steinhardt on October 17, 2015. The conference, organized by Nancy Deihl and Drake Stutesman, covered a wide scope of topics related to the role of costume in film. Click below for the full description and schedule from the conference and to watch the video featuring highlights from the conference.
Last night was the public opening reception for "Art of Jazz: Form/Performance/Notes," at the Ethelbert Cooper Gallery, Harvard University, featuring the photographs of Hugh Bell. The exhibition is now running through May 8th. Below are some photos from the event as well as an excerpt from the exhibition wall text:
A number of the best 20th-century photographers were stimulated by the challenge of capturing the vivid interaction of small groups of jazz players, often in dark and smoky cellars, while others were intensely interested in the individuality of great jazz musicians. One of the least known examples of the former is the photographer Hugh Bell (1927–2012), represented here by images of some of the greatest jazz players and a heartbreaking series of the great singer Billie Holiday in one of her last appearances.
In 2014, Gartenberg Media Enterprises was engaged on an exclusive basis by the Estate of Hugh Bell to manage the collection of Hugh Bell’s photographs and to further the artist’s legacy. We are therefore proud to announce the featuring of photographs by Hugh Bell as part of "Art of Jazz: Form/Performance/Notes" exhibition to be held at The Ethelbert Cooper Gallery of African & African American Art. Held in collaboration with the Harvard Art Museums, the exhibition explores the interaction between jazz music and the visual arts.
“Art of Jazz” consists of three exhibits at two venues. “Form,” a collection of work drawn from the Harvard Art Museum’s permanent collection, is presented in the Teaching Galleries at the Harvard Art Museums. “Performance” is a collection of books, album covers, photos and other ephemera in the Cooper Gallery’s lobby and front galleries. Scholars Suzanne Blier and David Bindman curated both of these installations. “Performance” at the Cooper includes modernist painter Beauford Delaney; photographers Hugh Bell and Carl Van Vechten; along with a sound installation accompanying the series of artist created album cover installations."
Hugh Cecil Bell was born in 1927 in Harlem, New York City to parents from the Caribbean island of St. Lucia. As a young man he first attended City College, and then graduated in 1952 with a degree in Journalism and Cinematic Art from NYU. After NYU, Bell put his Film Degree to use and found work as a cameraman for television commercials.
Early in his career, Bell was befriended by the cinema verité pioneer, Richard Leacock, who was interested in helping minorities find a professional footing. Bell assisted Leacock on the shooting of several documentaries, including “Jazz Dance” (1952). He also accompanied Leacock on several trips to Spain, where Bell met and photographed the world-famous Spanish bullfighter,
Dominguin, as well as Lauren Bacall and Ernest Hemingway. Bell’s friendship with Leacock continued to deepen, and over the ensuing decades, he photographed the Leacock family in an extended series of candid portraits at their family home.
In 1952, Bell shot his first of many legendary photographs of jazz greats,“Hot Jazz.” In 1955, Edward Steichen selected “Hot Jazz” for the groundbreaking exhibition “The Family of Man” at The Museum of Modern Art. Over 2 million photos were submitted and only 503 were selected. The exhibit showcased work from 273 photographers including Dorothea Lange, Edward Weston and Irving Penn. This was the first instance of Hugh Bell’s photographic work being shown alongside these towering figures of modern photography.
During the 1950’s, Hugh Bell frequented all the top Jazz clubs in New York City such as the Village Gate, the Open Door Café and Circle in the Square. He encountered and photographed many legendary musicians, including Billie Holiday, Dizzy Gillespie, Charlie Parker, Duke Ellington, Louis Armstrong, and Sarah Vaughan. Bell’s lifelong passion for taking Jazz photographs, often referred to as his “Jazz Giants” series, has been published in books and magazines. His jazz photographs have also graced the covers of innumerable vinyl jazz records.
In addition to jazz clubs, Bell went to and photographed local boxing matches, dance performances and legitimate plays, including Jean Genet’s “The Blacks,” a seminal theatrical production starring James Earl Jones, Roscoe Lee Brown, Cicely Tyson, Maya Angelou, and Godfrey Cambridge, that was mounted at the St. Mark’s Playhouse in 1961.
Bell opened his own studio in Manhattan in the 1960’s. Over the course of the ensuing decades, he worked as a commercial photographer. He produced photographs for print advertisements; many of which were targeted specifically to the Black community.
Interspersed with his commercial work, Bell also focused on portraiture. During this period, he is most known for his images of the female figure. In 1970, a series of these portraits were published in Avant Garde magazine in a feature entitled, “Bell’s Belles”. Throughout this period, he also traveled to the West Indies, focusing on the region of his geographical heritage. He photographed carnivals in Trinidad and Haiti, and daily life in Antigua. He also traveled to Brazil, where he took photographs of the local citizenry.
Hugh Bell passed away on October 31, 2012. He left behind an extensive and wide-ranging photographic legacy that is now ready for rediscovery.
For more information about the Hugh Bell archive and his photographs, please contact:
All Photographs, © The Estate of Hugh Bell
Yesterday, Jon Gartenberg was invited as a guest lecturer in Lynne Sach's NYU film production class on the cinematic oeuvre of Warren Sonbert. Below is an image of Jon with Lynne towards the end of the lecture.
Jon Gartenberg presenting with Nicola Mazzanti (director of the Royal Belgian Film Archive) on the first night of the Warren Sonbert retrospective as part of the L'Age d'Or Film Festival in Brussels. Below is also an image of Warren Sonbert's film WHIPLASH on the monitor of the festival theater's lobby.
GME associates David Deitch and Alex Westhelle preparing for an illustrated talk on the life and career of photographer Raimondo Borea at PhotoShelter in Union Square, New York City on April 2, 2015. Presented under the auspices of ASPP, this unique event was very well attended.
GME’s specialty is working with deceased photographers’ estates, and President Jon Gartenberg also led a lively discussion about his company’s work in excavating, identifying, cataloguing, and repurposing the legacy of overlooked, but historically important, photographers.
The original announcement about this presentation is noted below:
Archivists and dealers Jon Gartenberg and David Deitch of Gartenberg Media Enterprises discuss the life and work of Raimondo Borea, entertainment and NYC street photographer, active from the 1950’s through the early ’80s.
Mr. Borea’s work included celebrity portraits and on-set photography for NBC. He was also an active member and past president of ASPP. Images from the Borea collection: both original prints and projections will be on view. His daughter, Carla Borea,will share her memories and her wishes for the preservation of his legacy.
Mr. Gartenberg and Mr. Deitch will also discuss the issues and concerns in the handling of photographic legacies, and the preservation and marketing of an estate collection.