THE FILMS OF MARIE LOSIER

 

Filmmaker MARIE LOSIER

 

Marie Losier (born 1972 in France) is a filmmaker and curator who's worked in New York City for 25 years and has shown her films and videos at museums, galleries, biennials and festivals. Losier studied literature at the University of Nanterre (France, BA, 1995) and Fine Arts at Hunter College in New York City (MFA, 2003). She has made a number of film portraits on avant-garde directors, musicians and composers, such as the Kuchar brothers, Guy Maddin, Richard Foreman, Tony Conrad, Genesis P-Orridge, Alan Vega, Peter Hristoff and Felix Kubin. Whimsical, poetic, dreamlike and unconventional, her films explore the life and work of these artists.

Losier’s films are regularly shown at prestigious venues such as The Cannes Film Festival, Le Jeu de Paume, The Berlinale, Rotterdam Film Festival, IDFA, Tribeca Film Festival, The Tate Modern, MoMA, Le Palais de Tokyo, Le Centre George Pompidou and La Cinematheque Francaise. She was included in the 2006 Whitney Biennial (Whitney Museum, N.Y.C.). She had a retrospective of her films at MoMA - Museum of Modern Art in 2018 in NYC, and a retrospective at Le Jeu De Paume - the Museum of Contemporary Art in Paris in 2019.

 

 

GME distributes DSL, DVD & Blu-ray editions of the following Marie Losier films:

 
 

MARIE LOSIER - THE BALLAD OF GENESIS AND LADY JAYE / FELIX IN WONDERLAND

Marie Losier (France)

THE BALLAD OF GENESIS AND LADY JAYE is a portrait of influential transgender musician and performance artist Genesis P-Orridge and their partner Lady Jaye Breyer P-Orridge, focusing in particular on the Pandrogyny project of plastic surgery and body modification that they both undertook to become more similar to each other in appearance. In FELIX IN WONDERLAND one falls into the world of Felix Kubin’s experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.


 

DREAMINIMALIST

Tony Conrad & Marie Losier (US / France)

"THE FLICKER sweeps away reality, transports us into another environment and acts as a sort of instrument of perceptual experimentation. The filmmaker himself considers it as a kind of science fiction film which, instead of entering us into strange worlds – which have everything to do with this world and the development of conventional narrative structures–, proposes to transport us into a totally different dimension which is abstract and structured in a manner radically different from our environment.


 

HELLO HAPPINESS! - MARIE LOSIER

Marie Losier (U.S., France)

French-born New York filmmaker Marie Losier learned the 16mm Bolex camera from George and Mike Kuchar and made a series of “Dream Portraits” of New York filmmakers, theatre, music and performance artists.