GME News
Gartenberg Media Enterprises has partnered with Getty Images to make Raimondo Borea's on-set photographs of The Today Show available for licensing. GME and Getty have entered into a co-exclusive agreement to more widely share these culturally significant images with the public. To license Borea's photographs of The Today Show via Getty Images, click here.
Read MoreGartenberg Media Enterprises has partnered with Getty Images to make Raimondo Borea's behind-the-scenes photographs of The Tonight Show Starring Johnny Carson available for licensing. GME and Getty have entered into a co-exclusive agreement to more widely share these historically significant images with the public. To license Borea's photographs of The Tonight Show via Getty Images, click here.
Read MoreOn Sunday, June 8th, at 2:15pm, Gartenberg Media Enterprises and The Film-Makers’ Cooperative will premiere new digital restorations of Warren Sonbert’s AMPHETAMINE, WHERE DID OUR LOVE GO?, HALL OF MIRRORS, and CARRIAGE TRADE at Metrograph. This World Premiere screening also celebrates the return of these early films of Warren Sonbert to the New York Film-Makers’ Cooperative, from where they were originally distributed to be shown at the Film-Makers’ Cinematheque and elsewhere. The post-screening panel will be moderated by curator and archivist Jon Gartenberg and include the FMC’s Artist Liaison, Matt McKinzie, and Sonbert’s longtime friends, Emmy Award-winning animator and NYU professor Jeff Scher and fashion designer Barbara Hodes.
Read MoreToday we recap screenings, events, and celebrations from April related to GME titles, artists, and colleagues. Notably, films by Warren Sonbert screened at Anthology Film Archives and Doc Films at the University of Chicago, while a program of city symphony films co-curated by GME President Jon Gartenberg screened at the New York Public Library for the Performing Arts. GME also presented the readymade exhibition Jack Mitchell: Artists, in honor of Mitchell’s centennial, and announced the publication of Volume 64, No. 2, of Framework: The Journal of Cinema and Media, which is comprised of contemporaneous writings, stills, and ephemera related to Sonbert’s early films, combined with Gartenberg’s original writing.
Read MoreDr. Maurice Nagington’s book The Moral Lessons of Chemsex: A Critical Approach was published by Routledge on December 23, 2024, and is now available to own in print and digital editions. Two stills from Warren Sonbert’s debut film AMPHETAMINE (1966) were licensed by GME to appear in the pages of Nagington’s book. Those stills, which depict young gay men using intravenous drugs, are well-suited for Nagington’s book, which “explores how gay and bi men’s lived experiences of chemsex intersect with its cultural representations.”
Read MoreDuring her time as a curator in MoMA's Department of Film, Adrienne Mancia was a major proponent of unearthing important and often overlooked treasures from film history. As noted by her close friend and colleague Jon Gartenberg, “[Adrienne] celebrated American directors of a bygone era who had worked within the Hollywood studio system.” King Vidor's THE JACK-KNIFE MAN (1920) and Henry King's THE SEVENTH DAY (1922) are among the early Hollywood films Mancia championed. Both films, which were featured in MoMA's 2023 In Memoriam tribute to Mancia, stream this month in the Adrienne Mancia Streaming Room.
Read MoreGartenberg Media Enterprises is proud to announce the publication of Volume 64, No. 2, of Framework: The Journal of Cinema and Media, which is devoted to writings about the early films of Warren Sonbert. Jon Gartenberg was named the custodian of Sonbert’s legacy, and since Sonbert's passing, GME has worked on an extensive project to preserve, distribute, and curate career retrospectives of his work on an international basis. Furthermore, GME has facilitated the publication of original documents from his paper archive, which is now housed at Harvard University. This journal is Framework’s second issue devoted to Sonbert’s life and career. Volume 56, No. 1, published in Spring 2015, focused on Sonbert’s own writings. Gartenberg served as Guest Editor on both Framework issues.
Read MoreOn Saturday, April 12th, at 7:30pm, Warren Sonbert’s CARRIAGE TRADE screened at Anthology Film Archives as part of their Essential Cinema series, “a special series of films screened on a repertory basis… assembled in 1970—75 by Anthology’s Film Selection Committee — James Broughton, Ken Kelman, Peter Kubelka, P. Adams Sitney, and Jonas Mekas.” Jon Gartenberg was named the custodian of Sonbert’s legacy, and since Sonbert's passing, GME has worked on an extensive project to preserve, distribute, and curate career retrospectives of his work on an international basis.
Read MoreOn Thursday, April 17th, at 5:30pm, the New York Public Library for the Performing Arts will present the program In The Streets in the Bruno Walter Auditorium. Curated by GME President Jon Gartenberg with Elena Rossi-Snook, NYPL’s Reserve Film and Video Collection Specialist. this screening will explore the spirit and structure of the “city symphony” film.
Read MoreOn Sunday, April 13th, at 7pm, three films by Warren Sonbert — 1966’s HALL OF MIRRORS, 1986’s THE CUP AND THE LIP, and 1989’s FRIENDLY WITNESS — screened at Doc Films at the University of Chicago on 16mm. This program was introduced by film scholar Fred Camper, who has written extensively about Sonbert’s films, and screened as part of a larger Doc Films series curated by Hannah Yang, titled Encounters in the Cinema. Yang describes the series as “draw[ing] attention to… the way in which both film and spectator shape each other, and cinema as a whole, in the dark space of the movie theater.”
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