In 1967, Pierre Clémenti’s purchase of a 16mm camera unleashed a two-decade drive to capture life around him. Chronicling family, friends, travels, life on film sets, and the barricades of May 1968, his small-gauge diaries, bursting with psychedelic flair and ingenious editing, comprise a significant body of underground films. Rarely seen outside of Clémenti’s inner circle in his lifetime, the entirety of his directorial output is [now available] in stunning digital restorations. —The Museum of Modern Art