Three years into the exhilarating second act of his filmmaking career, James Broughton made THE GOLDEN POSITIONS (1970). Described by Broughton himself as “a series of naked tableaux vivants that glorify the human body,” THE GOLDEN POSITIONS once again finds the artist embracing nudity and human sexuality in a style distinct yet not dissimilar from his comeback piece, 1967’s erotic countercultural classic THE BED.