GME News
GME would like to share some photographs by Jack Mitchell of the artist Alex Katz alongside the exhibition, currently at the Guggenheim Museum, of 8 decades of Katz’s portraits, social scenes, and landscapes, which capture the immediacy of visual perception in his paintings.
Read MoreHugh Bell’s iconic photograph Hot Jazz (1952) was exhibited in Edward Steichen’s groundbreaking exhibition at The Museum of Modern Art, The Family of Man, in 1955. Now, for the first time since then, this photograph is currently installed in MoMA”s Gallery 402, which is dedicated to the theme In and Around Harlem.
Read MoreGartenberg Media Enterprises (GME) is honored to memorialize the recent passing of Barbara Walters, who broke barriers for women as the first female co-host of the “Today” show and the first female anchor of a network evening news program, and who as an interviewer of celebrities became one herself, helping to blur the line between news and entertainment.
Read MoreGME has licensed two of Raimondo Borea’s unique, behind the scenes photos of Dave Garroway, the original host and Anchor of NBC’s TODAY for an upcoming Bear Manor Media book by Jodie Peeler, and 3 iconic jazz photographs by Hugh Bell of Thelonious Monk, Sarah Vaughan and Billie Holiday for the new edition of 'ReFraming: REFLECTIONS IN BLACK,' Deborah Willis updating of her 2000 groundbreaking pictorial collection of African American life.
Read MoreFRAGMENTS OF PARADISE is a story about finding beauty amidst profound loss, a story of a man who was also the most significant force behind the evolution and promotion of the American Avant-Garde film movement, and who tried to make sense of it all…with a camera. GME licensed numerous clips of Mekas filming with his camera from Gideon Bachmann's UNDERGROUND NEW YORK (1968), a rare behind-the-scenes view of the exploding New York “underground” in the late sixties, a turbulent time and place that was to change American culture forever.
Read MoreNow in theaters, director Phyllis Nagy’s CALL JANE, stars Elizabeth Banks, Sigourney Weaver, and Kate Mara, in a drama about a 1960s housewife (Banks) who joins the Jane Collective to fight for women's rights as she struggles to cope with her need for an abortion during a time of limited social or political support.
Read MoreThe University of Minnesota gallery will present two photos by Hugh Bell in their upcoming fall exhibition, a group exhibition of over 100 Black American artists whose work incorporates the photographic medium.
Read MorePhotographer Raimondo Borea covered a wide range of subjects, from iconic celebrity and historic figures captured during his tenure as the set photographer on Firing Line, The Today Show, and The Tonight Show, to candid portraits of orphaned and homeless war children housed in the Boys’ Towns of Italy, and to his work with the photographic group the Circle of Confusion, with its focus on social documentary.
Read MoreTwo bold-face named New Yorkers passed this week, individuals who personified their respective areas of interest, one in the arts and the other in the art of public perception. Both were among the iconic subjects of photographer Jack Mitchell’s camera. Jack Mitchell (1925 – 2013) photographed artists, dancers, film and theatre performers, musicians and writers in more than 6,000 individual sessions. His work frequently appeared on the cover of major magazines as well as in newspapers.
Read MoreThis photo for the cover of The Shangri-Las debut album from 1965 is one of many commercial photos by Hugh Bell, whose photographs appeared on dozens of album covers throughout the period. They primarily featured jazz artists, including Sarah Vaughn, Dexter Gordon, Sonny Stitt, Cannonball Adderly, Houston Person, Bill Hardman, Larry Coryell, and the Nat Dixon Quartet. Director Nagy included this cover in her upcoming Roadside Attractions release CALL JANE, starring Elizabeth Banks, Sigourney Weaver, and Kate Mara, about a 1960s housewife (Banks) who joins the Jane Collective to fight for women's rights as she struggles to cope with her need for an abortion during a time of limited social or political support.
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