Raimondo Borea's Photograph of Johnny Carson and Steve Allen Featured in Marilyn Maye Show at 54 Below

Raimondo Borea's Photograph of Johnny Carson and Steve Allen Featured in Marilyn Maye Show at 54 Below

On Thursday, October 30th, GME President Jon Gartenberg, GME Fine Arts Curator David Deitch, and GME Associate Matt McKinzie attended a live musical performance by celebrated singer Marilyn Maye at 54 Below. Maye is a Grammy-nominated performer who was discovered by Steve Allen in 1963. She went on to appear on The Tonight Show Starring Johnny Carson a record 76 times, the most of any other musical guest. She also recorded a number of successful albums for RCA in the 1960s, and at the age of 97, continues to perform live. Throughout her show at 54 Below, Maye shared clips from her appearances on The Tonight Show as well as stills from the show itself. One of the stills is an on-set photo taken by Raimondo Borea. Borea, a freelance photographer, was afforded exclusive behind-the-scenes access to The Tonight Show, where he captured candid portraits of the show’s hosts and celebrity guests. The Borea photo featured in Maye’s show is from the mid-1960s and captures host Johnny Carson and guest Steve Allen sharing a laugh. GME represents Borea’s photographic oeuvre and is committed to resurrecting the career of this important yet overlooked artist. GME recently partnered with Getty Images to make Borea’s photographs of The Today Show and The Tonight Show available for licensing. Please contact info@gartenbergmedia.com for all inquiries related to the Borea photography collection.

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Shari Lewis and Lamb Chop Documentary Acquired for U.S. Theatrical Distribution by Kino Lorber

Shari Lewis and Lamb Chop Documentary Acquired for U.S. Theatrical Distribution by Kino Lorber

On June 4, 2025, it was announced that Kino Lorber had acquired the U.S. distribution rights to Lisa D’Apolito’s SHARI & LAMB CHOP, a documentary about trailblazing children’s entertainer Shari Lewis and her anthropomorphic sock puppet Lamb Chop. For this documentary, GME licensed Raimondo Borea’s photograph of Lewis and Lamb Chop appearing on The Tonight Show with Johnny Carson in the mid-1960s. D’Apolito’s film will be theatrically released by Kino Lorber tomorrow, July 18th, 2025, followed by a digital, educational, and home video release. GME distributes a number of films from Kino Lorber’s library to North American academic institutions. To read a complete list of Kino Lorber titles we currently offer on DVD, Blu-Ray, and digital formats, click here.

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June 2025 Roundup Related to GME Titles, Artists, and Colleagues

June 2025 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap screenings, events, and celebrations from June related to GME titles, artists, and colleagues. Notably, GME publicly presented the World Premiere digital restorations of a selection of the early films of Warren Sonbert at Metrograph on June 8th. GME also attended the 2025 Visual AIDS Vanguard Awards, which honored two of our longtime friends and colleaugues: Jim Hubbard and James Wentzy. Furthermore, GME screened Allan King’s groundbreaking documentary WARRENDALE this month in the Adrienne Mancia Streaming Room.

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May 2025 Roundup Related to GME Titles, Artists, and Colleagues

May 2025 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap screenings, events, and celebrations from May related to GME titles, artists, and colleagues. Notably, four films by Warren Sonbert screened at Shotgun Cinema in Missouri, and stills from Sonbert’s debut film AMPHETAMINE were featured in Maurice Nagington’s book The Moral Lessons of Chemsex: A Critical Approach, now available in print. In terms of GME’s photography collections, we publicly announced our co-exclusive partnership with Getty Images to license Raimondo Borea’s photographs of The Today Show and The Tonight Show. GME also continued programming in the Adrienne Mancia Streaming Room last month with a double bill of films by King Vidor and Henry King.

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2025 Photo Licensing Reel

2025 Photo Licensing Reel

GME's Photo Licensing Reel comprises a vast array of photographs taken by Raimondo Borea (1926—1982) and Hugh Bell (1927—2012), whose collections are represented by Gartenberg Media Enterprises for licensing, exhibition, and placement.

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GME Unearths Jon Gartenberg's 1990 Article on Michael Powell's PEEPING TOM, Now Screening at MoMA

GME Unearths Jon Gartenberg's 1990 Article on Michael Powell's PEEPING TOM, Now Screening at MoMA

On Wednesday, July 10th at 7pm, and Sunday, July 28th at 4pm, Michael Powell’s classic 1960 thriller PEEPING TOM will screen at The Museum of Modern Art as part of their month-long retrospective Cinema Unbound: The Creative Worlds of Powell and Pressburger. On the occasion of this celebration of Powell and Pressburger’s collaborations (and of Powell’s PEEPING TOM specifically — a controversial solo effort that horrified British audiences and film censors), GME has unearthed an archival gem from Jon Gartenberg’s papers pertaining to Powell’s still-shocking thriller. For the Spring 1990 issue of MoMA’s Members Quarterly, Gartenberg wrote an article that explores the psychological and voyeuristic capacities of the cinematic and photographic mediums as conveyed in both Powell’s PEEPING TOM and Alfred Hitchcock’s beloved 1954 thriller REAR WINDOW.

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In Celebration of Black History Month, GME Highlights Photographer Hugh Bell and The Kamoinge Workshop

In Celebration of Black History Month, GME Highlights Photographer Hugh Bell and The Kamoinge Workshop

In 1955, Edward Steichen, then Director of the Photography Department at MoMA, mounted an exhibition of images from around the world as a “manifesto for peace and the fundamental equality of mankind.” That exhibition, titled The Family of Man, quickly became a 20th century cultural phenomenon and was added to UNESCO’s Memory of the World register in recognition of its historical value. “Hot Jazz” (pictured here) by Black photographer Hugh Bell (1927—2012) was selected for this ambitious exhibit. This Black History Month, GME highlights Bell’s impressive body of work (namely his suite of images of Jazz Greats from the 1950s) and his influence on the Kamoinge Workshop.

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