GME Presents Rare Silent Features as DSLs from Undercrank Productions

GME Presents Rare Silent Features as DSLs from Undercrank Productions

In celebration of Silent Movie Day earlier this week (September 29th), Gartenberg Media is pleased to announce our new partnership with Undercrank Productions to distribute rare silent films to North American academic institutions on digital formats.

Undercrank Productions was founded in 2013 by silent film historian and composer Ben Model. Undercrank works with archives and private collectors to bring undiscovered classics of silent cinema from film cans to film fans. Each digital restoration has been spearheaded by Model and is presented in new digital scans in either HD or 2K, and features new musical scores on piano or theatre organ.

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GME Presents The Pierre Clémenti Collection

GME Presents The Pierre Clémenti Collection

Gartenberg Media Enterprises is pleased to announce our distribution of the films of Pierre Clémenti as new 2K digital restorations to North American academic institutions.

Though best known as an actor, Clémenti's directorial work constitutes a fascinating and long overlooked chapter in 1960s avant-garde film history. To inquire about the institutional acquisition of Clémenti's films, click here.

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GME Presents Steve Bilich's NATIVE NEW YORKER as a Digital Site License

GME Presents Steve Bilich's NATIVE NEW YORKER as a Digital Site License

Shot before, during and after 9/11,  Steve Bilich's experimental short documentary Native New Yorker took several years of filming with a 1924 hand-cranked Cine-Kodak camera. It follows Shaman Trail Scout 'Coyote' as he takes a journey that transcends time, from Inwood Park (where the island was traded for beads and booze), down a native trail (now “Broadway”), and into lower Manhattan (a sacred burial ground, now including the newest natives of this island empire). 24 years since the 9/11 attacks,  Bilich's film remains as powerful and relevant as ever.

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GME Announces Shift to Digital Distribution Beginning in Fall 2025

GME Announces Shift to Digital Distribution Beginning in Fall 2025

We are pleased to announce new titles of moving image works that are only available as digital files from GME, including the early films of Warren Sonbert (1966-73) and the films of Pierre Clémenti (1967-1988), as well as the Kong Ngee Company's Nanyang Trilogy (1957). Stay tuned for a full slate of DSL releases for the fall semester.

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June 2025 Roundup Related to GME Titles, Artists, and Colleagues

June 2025 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap screenings, events, and celebrations from June related to GME titles, artists, and colleagues. Notably, GME publicly presented the World Premiere digital restorations of a selection of the early films of Warren Sonbert at Metrograph on June 8th. GME also attended the 2025 Visual AIDS Vanguard Awards, which honored two of our longtime friends and colleaugues: Jim Hubbard and James Wentzy. Furthermore, GME screened Allan King’s groundbreaking documentary WARRENDALE this month in the Adrienne Mancia Streaming Room.

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May 2025 Roundup Related to GME Titles, Artists, and Colleagues

May 2025 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap screenings, events, and celebrations from May related to GME titles, artists, and colleagues. Notably, four films by Warren Sonbert screened at Shotgun Cinema in Missouri, and stills from Sonbert’s debut film AMPHETAMINE were featured in Maurice Nagington’s book The Moral Lessons of Chemsex: A Critical Approach, now available in print. In terms of GME’s photography collections, we publicly announced our co-exclusive partnership with Getty Images to license Raimondo Borea’s photographs of The Today Show and The Tonight Show. GME also continued programming in the Adrienne Mancia Streaming Room last month with a double bill of films by King Vidor and Henry King.

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Love and Joy, Warren Sonbert

Love and Joy, Warren Sonbert

On Sunday, June 8th, at 2:15pm, Gartenberg Media Enterprises and The Film-Makers’ Cooperative will premiere new digital restorations of Warren Sonbert’s AMPHETAMINE, WHERE DID OUR LOVE GO?, HALL OF MIRRORS, and CARRIAGE TRADE at Metrograph. This World Premiere screening also celebrates the return of these early films of Warren Sonbert to the New York Film-Makers’ Cooperative, from where they were originally distributed to be shown at the Film-Makers’ Cinematheque and elsewhere. The post-screening panel will be moderated by curator and archivist Jon Gartenberg and include the FMC’s Artist Liaison, Matt McKinzie, and Sonbert’s longtime friends, Emmy Award-winning animator and NYU professor Jeff Scher and fashion designer Barbara Hodes.

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March 2025 Roundup Related to GME Titles, Artists, and Colleagues

March 2025 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap screenings, events, and celebrations from March related to GME titles, artists, and colleagues. Notably, GME celebrated Women’s History Month by spotlighting works by women filmmakers that we distribute on DSL, DVD, and Blu-Ray. In the Adrienne Mancia Streaming Room, GME streamed Hiroshi Teshigahara's WOMAN IN THE DUNES (which Mancia wrote about at length in Film Comment) and featured a number of rare archival treasures from Mancia's papers. Additionally, MIX NYC publicly shared the filmed Q&A session from their festival's closing night program in November 2024, which featured remarks from GME President Jon Gartenberg, commenting on GME associate Matt McKinzie's film and the other films in the program. At the end of the month, Gartenberg contributed program notes for Abigail Child's screening of her film THE SUBURBAN TRILOGY at the Film-Makers' Cooperative.

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January 2025 Roundup Related to GME Titles, Artists, and Colleagues

January 2025 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap screenings, events, and celebrations from January, in New York City and beyond, related to GME titles, artists, and colleagues. In the first half of the month, a number of films that GME distributes to universities in North America were programmed at Anthology Film Archives. In the latter half of the month, GME highlighted the work of photographers Raimondo Borea, Hugh Bell, and Jack Mitchell. Specifically, Borea and Bell’s oeuvres were highlighted with the release of GME's New Photo Licensing Reel, and Mitchell’s 1963 portraits of dancer Maria Tallchief were revisited ahead of the New York City Ballet’s celebration of Tallchief’s centennial. Additionally, Mitchell’s 1994 images of Paul Taylor dancing with Mikhail Baryshnikov were presented in a new video, in recognition of the Jerome Robbins Dance Division’s 2025 Dance Symposium celebrating Baryshnikov and his legacy.

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