March 05, 2024

February 2024 Roundup Related to GME Titles, Artists, and Colleagues

March 05, 2024/ Jon Gartenberg

Happy March from Gartenberg Media Enterprises! Today, we’re reflecting on screenings, events, and celebrations from February, in New York City and beyond, related to GME colleagues, as well as titles and/or artists in our collection that we distribute to the North American university market. Notably, films by French cinema icons Jackie Raynal and Philippe Garrel screened at Anthology Film Archives, while CARRIAGE TRADE, the magnum opus of Warren Sonbert — whose work and legacy GME is proud to represent — returned to the Centre Pompidou 48 years after it was first shown there.

Warren Sonbert's Magnum Opus CARRIAGE TRADE Plays at the Centre Pompidou

February 21, 2024/ Jon Gartenberg

Today, Warren Sonbert’s film CARRIAGE TRADE — which the artist himself described as his “magnum opus” — will screen at the Centre Pompidou in Paris. Sonbert’s film plays in their exhibition A History of Cinema, which “draws an alternative narrative to the dominant cinematic canons and constitutes the founding moment of the Museum’s film collection.” CARRIAGE TRADE is currently distributed on 16mm by the Film-Makers’ Cooperative in New York, Canyon Cinema in San Francisco, and Light Cone in Paris. GME is the custodian of Sonbert’s legacy and proud to represent his significant body of work.

Warren Sonbert’s CARRIAGE TRADE in Anthology Film Archives Essential Cinema series March 1st

February 27, 2020/ Jon Gartenberg

“With CARRIAGE TRADE (1973 version, 61 min, 16mm), Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920s; he particularly disliked the ‘knee-jerk’ reaction produced by Eisensteinian montage. In both lectures and writings about his own style of editing, Sonbert described CARRIAGE TRADE as ‘a jig-saw puzzle of postcards to produce varied displaced effects.’ This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between shots through the spectator’s assimilation of ‘the changing relations of the movement of objects, the gestures of figures, familiar worldwide icons, rituals and reactions, rhythm, spacing, and density of images.” –Jon Gartenberg

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