AMPHETAMINE Ascending: Warren Sonbert's Groundbreaking Debut Finds New Life on Digital Platforms and in Academia

AMPHETAMINE Ascending: Warren Sonbert's Groundbreaking Debut Finds New Life on Digital Platforms and in Academia

Gartenberg Media Enterprises is proud to announce the release of a new digital restoration of Warren Sonbert’s groundbreaking debut film AMPHETAMINE (1966), which is currently available for institutional sale and clip licensing through GME. The film is also available for rental on a digital format through The Film-Makers’ Cooperative, where Sonbert originally distributed his early films on 16mm. This digital restoration of AMPHETAMINE, which theatrically premiered at Metrograph in New York City on June 8th, 2025, follows a period of renewed scholarly interest in Sonbert’s debut film. Namely, Dr. Maurice Nagington’s 2025 publication The Moral Lessons of Chemsex: A Critical Approach (Routledge), Juan Suarez’s 2024 book Experimental Film and Queer Materiality (Oxford University Press), and GME associate Matt McKinzie's 2024 film program The Motown Sound and the Queer Underground (presented by Spectacle Theater and The Film-Makers' Cooperative), invoke AMPHETAMINE as a key filmic text integral to discourse surrounding 1960s avant-garde cinema, queer representation on film, popular music, chemsex, and connection.

Read More

Watch an Excerpt from the Closing Night Q&A at MIX Fest 2024, Featuring GME President Jon Gartenberg and GME Associate Matt McKinzie

Watch an Excerpt from the Closing Night Q&A at MIX Fest 2024, Featuring GME President Jon Gartenberg and GME Associate Matt McKinzie

On November 23rd, 2024, QUEER DREAM TRIPTYCH, a found footage poem film by GME associate Matt McKinzie, screened at the Quad Cinema in the closing night program of MIX: The New York Queer Experimental Film Festival. The post-screening Q&A session with the filmmakers involved rich, cross-generational discourse pertaining to depictions of pleasure versus depictions of trauma, as related to queer identity and sexuality, in the selected films. This Q&A session was filmed and made available to the public on March 21st. GME President Jon Gartenberg, in attendance that evening with GME Fine Arts Curator David Deitch, commended the filmmakers for “externalizing their interior struggles on the screen,” praising their willingness to be “vulnerable” in their work and remarking that he found this kind of filmmaking — wherein the artists confronted their trauma in their art — to be “new and refreshing.”

Read More