Jean-Luc Godard's '60s French New Wave Classics Screening on 35mm at The Paris Theater Beginning on September 28th

Jean-Luc Godard's '60s French New Wave Classics Screening on 35mm at The Paris Theater Beginning on September 28th

From September 28th through October 26th, The Paris Theater will celebrate the forthcoming release of Richard Linklater’s NOUVELLE VAGUE — which chronicles the making of Jean-Luc Godard’s BREATHLESS — with a series of Godard’s 1960s films presented on 35mm. The films showcased in this month-long celebration are BREATHLESS (1960), A WOMAN IS A WOMAN (1961), VIVRE SA VIE (1962), BAND OF OUTSIDERS (1964), PIERROT LE FOU (1965), and WEEKEND (1967). In conjunction with Kino Lorber, GME distributes one of Godard’s seminal works from this period — 1965’s ALPHAVILLE (1965) — to the North American university market as a Blu-Ray, DVD, and digital file. Bonus material on this release includes an interview with the film’s star, Anna Karina, and audio commentary by film historian Tim Lucas.

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GME Presents The Pierre Clémenti Collection

GME Presents The Pierre Clémenti Collection

Gartenberg Media Enterprises is pleased to announce our distribution of the films of Pierre Clémenti as new 2K digital restorations to North American academic institutions.

Though best known as an actor, Clémenti's directorial work constitutes a fascinating and long overlooked chapter in 1960s avant-garde film history. To inquire about the institutional acquisition of Clémenti's films, click here.

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GME Presents Steve Bilich's NATIVE NEW YORKER as a Digital Site License

GME Presents Steve Bilich's NATIVE NEW YORKER as a Digital Site License

Shot before, during and after 9/11,  Steve Bilich's experimental short documentary Native New Yorker took several years of filming with a 1924 hand-cranked Cine-Kodak camera. It follows Shaman Trail Scout 'Coyote' as he takes a journey that transcends time, from Inwood Park (where the island was traded for beads and booze), down a native trail (now “Broadway”), and into lower Manhattan (a sacred burial ground, now including the newest natives of this island empire). 24 years since the 9/11 attacks,  Bilich's film remains as powerful and relevant as ever.

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Love and Joy, Warren Sonbert

Love and Joy, Warren Sonbert

On Sunday, June 8th, at 2:15pm, Gartenberg Media Enterprises and The Film-Makers’ Cooperative will premiere new digital restorations of Warren Sonbert’s AMPHETAMINE, WHERE DID OUR LOVE GO?, HALL OF MIRRORS, and CARRIAGE TRADE at Metrograph. This World Premiere screening also celebrates the return of these early films of Warren Sonbert to the New York Film-Makers’ Cooperative, from where they were originally distributed to be shown at the Film-Makers’ Cinematheque and elsewhere. The post-screening panel will be moderated by curator and archivist Jon Gartenberg and include the FMC’s Artist Liaison, Matt McKinzie, and Sonbert’s longtime friends, Emmy Award-winning animator and NYU professor Jeff Scher and fashion designer Barbara Hodes.

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NYPL Presents the City Symphony Program IN THE STREETS on April 17th, curated by Jon Gartenberg with Elena Rossi-Snook

NYPL Presents the City Symphony Program IN THE STREETS on April 17th, curated by Jon Gartenberg with Elena Rossi-Snook

On Thursday, April 17th, at 5:30pm, the New York Public Library for the Performing Arts will present the program In The Streets in the Bruno Walter Auditorium. Curated by GME President Jon Gartenberg with Elena Rossi-Snook, NYPL’s Reserve Film and Video Collection Specialist. this screening will explore the spirit and structure of the “city symphony” film.

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Watch an Excerpt from the Closing Night Q&A at MIX Fest 2024, Featuring GME President Jon Gartenberg and GME Associate Matt McKinzie

Watch an Excerpt from the Closing Night Q&A at MIX Fest 2024, Featuring GME President Jon Gartenberg and GME Associate Matt McKinzie

On November 23rd, 2024, QUEER DREAM TRIPTYCH, a found footage poem film by GME associate Matt McKinzie, screened at the Quad Cinema in the closing night program of MIX: The New York Queer Experimental Film Festival. The post-screening Q&A session with the filmmakers involved rich, cross-generational discourse pertaining to depictions of pleasure versus depictions of trauma, as related to queer identity and sexuality, in the selected films. This Q&A session was filmed and made available to the public on March 21st. GME President Jon Gartenberg, in attendance that evening with GME Fine Arts Curator David Deitch, commended the filmmakers for “externalizing their interior struggles on the screen,” praising their willingness to be “vulnerable” in their work and remarking that he found this kind of filmmaking — wherein the artists confronted their trauma in their art — to be “new and refreshing.”

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Maria Tallchief Centennial Celebration

Maria Tallchief Centennial Celebration

Maria Tallchief, America's first prima ballerina who, with choreographer George Balanchine, was credited with revolutionizing American ballet, would have been 100 years old today. In February, the New York City Ballet will celebrate Tallchief's centennial with a program featuring some of her most celebrated roles, including FIREBIRD, which brought her international stardomGME commemorates Tallchief's centennial with these indelible photographs, taken by Jack Mitchell, of Tallchief's role in FIREBIRDwhich capture the artist's poise, prowess, and star power in her signature role.

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World AIDS Day: Erasure in Elegy in the Streets

World AIDS Day: Erasure in Elegy in the Streets

December 1st is World AIDS Day, an international day dedicated to raising awareness of the AIDS pandemic and honoring those who we have lost to HIV/AIDS. On this day of consciousness-raising, mourning, and remembrance, GME is honored to welcome Jim Hubbard’s ELEGY IN THE STREETS (1989) on DSL into our library of films currently available for international institutional acquisition.

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Amy Taubin Guest Curates Carte Blanche Series at MoMA

Amy Taubin Guest Curates Carte Blanche Series at MoMA

Noted film critic Amy Taubin has accepted an invitation by The Museum of Modern Art to delve into their archives to conjure a thrilling, thrumming vision of New York City, the place she has called home her entire life.

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