GME News
Filmmakers Nicolás Pereda and Pedro Neves Marques will attend the Q&A both nights with their short feature MY SKIN, LUMINOUS (2019, 39 minutes), a shape-shifting docufiction that weaves its real-life subject into a subtly unfolding drama, and which speaks to the wider ongoing reforms to Mexico’s public school system.
Read MoreGME is pleased to present for the fall academic semester an ever-expanding roster of DVD and Blu-ray editions of moving image works from the entire breadth and depth of moving image history. These works encompass trick films by George Méliès from the 1890s through to contemporary experimental filmmakers working in both France and the United States.
Read MoreEven before women had the right to vote, Blaché, in her actions and in her films, expressed female drives, desires and self-determination. In 1911, The Moving Picture News wrote that Alice Guy Blaché, the first female filmmaker in history, was a “fine example of what a woman can do if given a square chance in life.”
Read MoreThis rapturously beautiful 2005 feature by Hou Hsiao-hsien is a triumph about the melancholy play of time and memory. The action is broken into three different love stories, each set in a different era—a 1966 pool hall, a prosperous 1911 brothel, and contemporary Taipei—but starring the same leads, the impossibly glamorous Shu Qi and Chang Chen.
Read MoreAt its 50th Anniversary Gala, announcing the rebranding of the “Film Society of Lincoln Center” to “Film at Lincoln Center”, GME President Jon Gartenberg facilitated use of a clip from CBS’s Camera 3 program (courtesy of producer Stephan Chodorov) celebrating the first edition of the New York Film Festival in 1963.
Read MoreThai visionary Apichatpong Weerasethakul drifts through dream states in this Palme d’Or-winning jungle ghost story in which a dying man reconnects with the spirit of his dead wife as he journeys through his previous lives.
Read MoreOver the past two decades, GME has assembled a curated collection of significant films throughout the entire course of moving image history, which we offer in DVD and Blu-ray editions to educational institutions in North America. A substantial number of these films are represented in Anthology Film Archives’s Essential Cinema Repertory program.
Read MoreJonas Mekas on his film THIS SIDE OF PARADISE (1999): "I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy's and her sister Lee Radziwill's families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship."
Read MoreLight Industry presents an evening devoted to Lis Rhodes, occasioned by “Telling Invents Told”, a new collection of her writings published by The Visible Press and edited by María Palacios Cruz. Rhodes was one of the key figures to emerge from the London Film-Makers’ Co-operative in the 1970s. In her films the site of female subjectivity is analyzed like a crime scene.
Read MoreIt is stupid to treat Charlie as a clown of genius. If there had never been a cinema he would undoubtedly have been a clown of genius, but the cinema has allowed him to raise the comedy of circus and music hall to the highest aesthetic level. Chaplin needed the medium of the cinema to free comedy completely from the limits of space and time imposed by the stage or the circus arena. The best Chaplin films can be seen over and over again with no loss of pleasure – indeed the very opposite is the case.
Read MoreGartenberg Media Enterprises is a full-service company dedicated to the excavation, repurposing and distribution of library assets in film, television, photographic and print media.
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