Danish Film Institute curator Thomas Christensen honored at 2025 San Francisco Silent Film Festival

Danish Film Institute curator Thomas Christensen honored at 2025 San Francisco Silent Film Festival

On November 15th, Thomas Christensen was honored at the San Francisco Silent Film Festival for his tireless support of silent film preservation and exhibition thanks to his work as lead curator at the Danish Film Institute. Since its founding in 1972, the DFI has been devoted to preserving Danish film heritage, including masterpieces from the silent era. As lead curator, Christensen has been an integral part of the DFI's initiative to digitize their collection and make it accessible. To this end, the Danish Film Institute launched the series Danish Silent Classics, which consists of DVD releases of both individual silent films and anthologies. Many of these discs contain bonus features as well as filmmaker biographies and filmographies. GME is pleased to distribute a number of these publications to academic institutions in North America.

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Silent Film Classics Screened at This Year's San Francisco Silent Film Festival

Silent Film Classics Screened at This Year's San Francisco Silent Film Festival

The 28th annual San Francisco Silent Film Festival (SFSFF) took place at the Orinda Theatre from November 12th to 16th. The largest and most prestigious festival devoted to silent film in North America, SFSFF presented 22 programs of rare and classic silent films, accompanied by live musicians, including a number of recent film restorations. A number of titles by filmmakers that GME distributes to North American academic institutions screened at the festival this year.

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October 2025 Roundup

October 2025 Roundup

Today we recap screenings, events, and celebrations from October related to GME titles, artists, and colleagues. Notably, GME announced a number of new titles for distribution, including: five silent short films from Undercrank Productions, three unsung classics of Cantonese cinema recently rediscovered by the Asian Film Archive, five early British films by Alfred Hitchcock, and two overlooked New Hollywood “bookends” restored and re-released by Vinegar Syndrome. GME also announced the distribution of Warren Sonbert’s early films — for rental on digital formats — through The Film-Makers’ Cooperative, where they were originally distributed on 16mm beginning in the 1960s.

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Raimondo Borea's Photograph of Johnny Carson and Steve Allen Featured in Marilyn Maye Show at 54 Below

Raimondo Borea's Photograph of Johnny Carson and Steve Allen Featured in Marilyn Maye Show at 54 Below

On Thursday, October 30th, GME President Jon Gartenberg, GME Fine Arts Curator David Deitch, and GME Associate Matt McKinzie attended a live musical performance by celebrated singer Marilyn Maye at 54 Below. Maye is a Grammy-nominated performer who was discovered by Steve Allen in 1963. She went on to appear on The Tonight Show Starring Johnny Carson a record 76 times, the most of any other musical guest. She also recorded a number of successful albums for RCA in the 1960s, and at the age of 97, continues to perform live. Throughout her show at 54 Below, Maye shared clips from her appearances on The Tonight Show as well as stills from the show itself. One of the stills is an on-set photo taken by Raimondo Borea. Borea, a freelance photographer, was afforded exclusive behind-the-scenes access to The Tonight Show, where he captured candid portraits of the show’s hosts and celebrity guests. The Borea photo featured in Maye’s show is from the mid-1960s and captures host Johnny Carson and guest Steve Allen sharing a laugh. GME represents Borea’s photographic oeuvre and is committed to resurrecting the career of this important yet overlooked artist. GME recently partnered with Getty Images to make Borea’s photographs of The Today Show and The Tonight Show available for licensing. Please contact info@gartenbergmedia.com for all inquiries related to the Borea photography collection.

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Mark Street's film CITY WALK, made for Jon Gartenberg, screened at The Film-Makers' Cooperative on October 28th

Mark Street's film CITY WALK, made for Jon Gartenberg, screened at The Film-Makers' Cooperative on October 28th

On Tuesday, October 28th, The Film-Makers’ Cooperative presented a program of recent city-themed films by Mark Street, as well as an accompanying program of older city-themed works from the Coop’s collection co-curated by Street and GME associate Matt McKinzie. The program was titled THE REFRACTED CITY and showcased Street’s films RIVER OF DAYS, LUNETTE, ALL DAY AND ALL OF THE NIGHT, CLEAR ICE FERN, THE GRAIN OF BELFAST and DESCENT, alongside Marie Menken’s GO GO GO, Donna Deitch’s SHE WAS A VISITOR, Rudy Burckhardt’s SQUARE TIMES, Stan Brakhage’s THE WONDER RING, and Rick LissNO YORK CITY.

GME President Jon Gartenberg curated numerous films by Street while working as a programmer at the Tribeca Film Festival from 2003 to 2014. Gartenberg once noted, about Street’s films: “The globe is Mark Street’s cinematic canvas onto which he impresses shimmering reflections and lyric montage sequences.” Gartenberg later joined Street on a day of filming in New York City, as part of an experience with a filmmaker that he won at an auction at The Film-Makers’ Cooperative. The resulting 16mm work — which Street titled CITY WALK — is a unique, one-of-a-kind piece in GME’s archive of experimental filmmakers’ work.

CITY WALK was included as a surprise addition to Street’s program at the Coop. Gartenberg wrote a heartfelt note about the experience of making CITY WALK with Street, which McKinzie read on his behalf.

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Bookending New Hollywood: Joseph Cates' WHO KILLED TEDDY BEAR? and Paul Morrissey's MIXED BLOOD

Bookending New Hollywood: Joseph Cates' WHO KILLED TEDDY BEAR? and Paul Morrissey's MIXED BLOOD

Gartenberg Media Enterprises is pleased to distribute new 4K restorations by Cinématographe of two seminal New York City thrillers — Joseph Cates’ WHO KILLED TEDDY BEAR? and Paul Morrissey’s MIXED BLOOD — to North American cultural institutions as Digital Site Licenses.

Released in 1965 and 1984 respectively, WHO KILLED TEDDY BEAR? and MIXED BLOOD both bookend and typify the "New Hollywood" era of the late 1960s and 1970s. Their transgressive explorations of violence, sexuality, social taboos and urban dysfunction emulate such better-known films as MIDNIGHT COWBOY (1969), THE PANIC IN NEEDLE PARK (1971), and TAXI DRIVER (1975).

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Ken Jacobs (1933—2025)

Ken Jacobs (1933—2025)

Gartenberg Media Enterprises mourns the loss of legendary filmmaker Ken Jacobs, who passed away on October 5th, 2025, at the age of 92. A founding member of The Film-Makers' Cooperative, Millennium Film Workshop, and the Film Department at Binghamton University, Jacobs was a titan of the New York and global avant-garde filmmaking community for over 60 years.

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September 2025 Roundup Related to GME Artists, Titles, and Colleagues

September 2025 Roundup Related to GME Artists, Titles, and Colleagues

Today we recap screenings, events, and celebrations from September related to GME titles, artists, and colleagues. At the beginning of the month, GME announced our shift to focusing on the distribution of moving image works available as Digital Site Licenses (DSLs). As part of this transition, we announced our distribution of Steve Bilich’s experimental short documentary NATIVE NEW YORKER as well as the early films of Warren Sonbert and films directed by Pierre Clémenti.

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TONIGHT: Queer Avant-Garde Films Screen at the New York Public Library for the Performing Arts, co-curated by Jon Gartenberg and Elena Rossi-Snook

TONIGHT: Queer Avant-Garde Films Screen at the New York Public Library for the Performing Arts, co-curated by Jon Gartenberg and Elena Rossi-Snook

Tonight, October 7th, at 5:30pm in the Bruno Walter Auditorium, the New York Public Library for the Performing Arts will screen experimental works from the Reserve Film and Video Collection that explores the history of queer filmmakers. The program, titled What’s Happening? Affirmations: A Celebration of the LGBTQ+ Gaze, includes 16mm prints from Jack Smith and Gregory Markopoulos as well as an important selection of films by women filmmakers (such as Barbara Hammer and Sadie Benning) and a seminal work by African-American artist Marlon Riggs.

This event is being held in recognition of LGBTQ+ History Month and is part of a larger series that looks at “deep cuts” from the Reserve Film and Video Collection's historic 16mm film and video holdings. Co-curated by GME President Jon Gartenberg and RFVC Film Collection Specialist Elena Rossi-Snook, this screening features films that carve out creative queer identities from an historically heteronormative society in celebratory fashion.

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