September 2023 Roundup of Screenings Related to GME's DSL, DVD, & Blu-ray Offerings

September 2023 Roundup of Screenings Related to GME's DSL, DVD, & Blu-ray Offerings

Happy Autumn from Gartenberg Media Enterprises! As we enter October, we’re looking back at a myriad of screenings from last month, in New York City and beyond, featuring films and/or filmmakers in our collection that we distribute to the North American university market. GME-associated artists were well-represented in September — from pioneering filmmakers like Ida Lupino, Jean-Luc Godard, Jose Val Del Omar, Maya Deren, and Man Ray, to contemporary artists like Karel Doing, Rose Lowder, and Lav Diaz. The work of Warren Sonbert, which is exclusively represented by GME, was also screened in various venues in September.

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Light Industry Presents An Evening with Donna Kerness

Light Industry Presents An Evening with Donna Kerness

This Saturday, September 23rd, 2023, at 7:30pm, our friends at Light Industry are showing three films starring the legendary Donna Kerness, including Mike Kuchar’s SINS OF THE FLESHAPOIDS. GME distributes this title to the North American University market on DVD. GME also distributes several films by Marie Losier, who was directly inspired by the work of Mike Kuchar and his brother, George.

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Luke Fowler at MoMA and Light Industry This Week

Luke Fowler at MoMA and Light Industry This Week

Luke Fowler’s BEING IN A PLACE: A PORTRAIT OF MARGARET TAIT (2022) will screen with Tait’s 1998 GARDEN PIECES in MoMA’s Doc Fortnight 2023 Festival of International Nonfiction Film and Media on 2/24. At Light Industry on 2/25, Fowler will introduce Henri Plaat’s FASHION FROM NEW YORK (1980) and John McGreevy’s R.D. LAING’S GLASGOW (1979).

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The Early Films of Peter Tscherkassky are Screening at Light Industry

The Early Films of Peter Tscherkassky are Screening at Light Industry

After a decade in Greenpoint, Light Industry has moved to East Williamsburg and begin their fall season with a selection of early films by Peter Tscherkassky. The works assembled here stand as some of the most vital cinematic experiments of the late 20th century, appealing, at once, to the eye through the virtuosity of their formal construction, and to the theoretical imagination through their rigorous conceptual strategies.

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