AMPHETAMINE Ascending: Warren Sonbert's Groundbreaking Debut Finds New Life on Digital Platforms and in Academia

AMPHETAMINE Ascending: Warren Sonbert's Groundbreaking Debut Finds New Life on Digital Platforms and in Academia

Gartenberg Media Enterprises is proud to announce the release of a new digital restoration of Warren Sonbert’s groundbreaking debut film AMPHETAMINE (1966), which is currently available for institutional sale and clip licensing through GME. The film is also available for rental on a digital format through The Film-Makers’ Cooperative, where Sonbert originally distributed his early films on 16mm. This digital restoration of AMPHETAMINE, which theatrically premiered at Metrograph in New York City on June 8th, 2025, follows a period of renewed scholarly interest in Sonbert’s debut film. Namely, Dr. Maurice Nagington’s 2025 publication The Moral Lessons of Chemsex: A Critical Approach (Routledge), Juan Suarez’s 2024 book Experimental Film and Queer Materiality (Oxford University Press), and GME associate Matt McKinzie's 2024 film program The Motown Sound and the Queer Underground (presented by Spectacle Theater and The Film-Makers' Cooperative), invoke AMPHETAMINE as a key filmic text integral to discourse surrounding 1960s avant-garde cinema, queer representation on film, popular music, chemsex, and connection.

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Early British Films by Alfred Hitchcock

Early British Films by Alfred Hitchcock

GME is proud to distribute five lesser-known, early films by Alfred Hitchcock, made in his native England prior to his relocation to Hollywood in the early 1940s. These features find the director working in various genres outside of the thriller territory that eventually made him a household name and earned him the moniker “The Master of Suspense.”

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Warren Sonbert's AMPHETAMINE Screens at the KW Institute of Contemporary Art in Berlin June 7th-9th

Warren Sonbert's AMPHETAMINE Screens at the KW Institute of Contemporary Art in Berlin June 7th-9th

From June 7th to 9th, Warren Sonbert’s debut film AMPHETAMINE (1966, co-directed with Wendy Appel) will screen in Berlin at the KW Institute of Contemporary Art, as part of Billy Bultheel and James Richards’ multimedia exhibition Workers in Song. Bultheel and Richards’ show premiered at WIELS last year, and was co-commissioned by WIELS, Batalha Centro de Cinema, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, and the KW Institute.

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