Bookending New Hollywood: Joseph Cates' WHO KILLED TEDDY BEAR? and Paul Morrissey's MIXED BLOOD

Bookending New Hollywood: Joseph Cates' WHO KILLED TEDDY BEAR? and Paul Morrissey's MIXED BLOOD

Gartenberg Media Enterprises is pleased to distribute new 4K restorations by Cinématographe of two seminal New York City thrillers — Joseph Cates’ WHO KILLED TEDDY BEAR? and Paul Morrissey’s MIXED BLOOD — to North American cultural institutions as Digital Site Licenses.

Released in 1965 and 1984 respectively, WHO KILLED TEDDY BEAR? and MIXED BLOOD both bookend and typify the "New Hollywood" era of the late 1960s and 1970s. Their transgressive explorations of violence, sexuality, social taboos and urban dysfunction emulate such better-known films as MIDNIGHT COWBOY (1969), THE PANIC IN NEEDLE PARK (1971), and TAXI DRIVER (1975).

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Ken Jacobs (1933—2025)

Ken Jacobs (1933—2025)

Gartenberg Media Enterprises mourns the loss of legendary filmmaker Ken Jacobs, who passed away on October 5th, 2025, at the age of 92. A founding member of The Film-Makers' Cooperative, Millennium Film Workshop, and the Film Department at Binghamton University, Jacobs was a titan of the New York and global avant-garde filmmaking community for over 60 years.

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TONIGHT: Queer Avant-Garde Films Screen at the New York Public Library for the Performing Arts, co-curated by Jon Gartenberg and Elena Rossi-Snook

TONIGHT: Queer Avant-Garde Films Screen at the New York Public Library for the Performing Arts, co-curated by Jon Gartenberg and Elena Rossi-Snook

Tonight, October 7th, at 5:30pm in the Bruno Walter Auditorium, the New York Public Library for the Performing Arts will screen experimental works from the Reserve Film and Video Collection that explores the history of queer filmmakers. The program, titled What’s Happening? Affirmations: A Celebration of the LGBTQ+ Gaze, includes 16mm prints from Jack Smith and Gregory Markopoulos as well as an important selection of films by women filmmakers (such as Barbara Hammer and Sadie Benning) and a seminal work by African-American artist Marlon Riggs.

This event is being held in recognition of LGBTQ+ History Month and is part of a larger series that looks at “deep cuts” from the Reserve Film and Video Collection's historic 16mm film and video holdings. Co-curated by GME President Jon Gartenberg and RFVC Film Collection Specialist Elena Rossi-Snook, this screening features films that carve out creative queer identities from an historically heteronormative society in celebratory fashion.

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