FRAMEWORK, Volume 64, No. 2: The Early Films of Warren Sonbert (1966-1973)

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FRAMEWORK, Volume 64, No. 2: The Early Films of Warren Sonbert (1966-1973)

Gartenberg Media Enterprises is proud to announce the publication of Volume 64, No. 2, of Framework: The Journal of Cinema and Media, which is devoted to writings about the early films of Warren Sonbert. Jon Gartenberg was named the custodian of Sonbert’s legacy, and since Sonbert's passing, GME has worked on an extensive project to preserve, distribute, and curate career retrospectives of his work on an international basis. Furthermore, GME has facilitated the publication of original documents from his paper archive, which is now housed at Harvard University. This journal is Framework’s second issue devoted to Sonbert’s life and career. Volume 56, No. 1, published in Spring 2015, focused on Sonbert’s own writings. Gartenberg served as Guest Editor on both Framework issues.

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2025 Photo Licensing Reel

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2025 Photo Licensing Reel

GME's Photo Licensing Reel comprises a vast array of photographs taken by Raimondo Borea (1926—1982) and Hugh Bell (1927—2012), whose collections are represented by Gartenberg Media Enterprises for licensing, exhibition, and placement.

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GME Unearths Jon Gartenberg's 1990 Article on Michael Powell's PEEPING TOM, Now Screening at MoMA

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GME Unearths Jon Gartenberg's 1990 Article on Michael Powell's PEEPING TOM, Now Screening at MoMA

On Wednesday, July 10th at 7pm, and Sunday, July 28th at 4pm, Michael Powell’s classic 1960 thriller PEEPING TOM will screen at The Museum of Modern Art as part of their month-long retrospective Cinema Unbound: The Creative Worlds of Powell and Pressburger. On the occasion of this celebration of Powell and Pressburger’s collaborations (and of Powell’s PEEPING TOM specifically — a controversial solo effort that horrified British audiences and film censors), GME has unearthed an archival gem from Jon Gartenberg’s papers pertaining to Powell’s still-shocking thriller. For the Spring 1990 issue of MoMA’s Members Quarterly, Gartenberg wrote an article that explores the psychological and voyeuristic capacities of the cinematic and photographic mediums as conveyed in both Powell’s PEEPING TOM and Alfred Hitchcock’s beloved 1954 thriller REAR WINDOW.

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