Upcoming Screenings of Interest in NYC – The Most Dangerous Game & Landscape Suicide – DVD/Blu-rays Available from GME for North American Institutional Sales

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Blu-ray available from GME for
North American Institutional Sale

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DVD available from GME for 
North American Institutional Sale

"What's Left Behind: The Photographic Estate Of Raimondo Borea," presentation by GME at PhotoShelter

GME is proud to announce that we will be presenting on the life, work and legacy of photographer Raimondo Borea, one of our very own library projects. Hosted by The American Society of Picture Professionals (ASPP), "What's Left Behind: The Photographic Estate Of Raimondo Borea" will be presented at the PhotoShelter, Thursday April 2 at 6:30pm.

Portrait of Raimondo Borea

Invisible Adversaries by Valie Export at Cornell Cinema

INVISIBLE ADVERSARIES by Valie Export will be shown at Cornell Cinema on March 3rd at 7pm. This title was licensed to Cornell by GME for institutional use.

Jon Gartenberg To Moderate Discussion Between Shona Masarin and Cori Olinghouse For Their Program "Ghost Line And Other Celluloid Antics", Film Society of Lincoln Center

Jon Gartenberg will be moderating discussion between Shona Masarin and Cori Olinghouse for the program "Ghost Line And Other Celluloid Antics" which features Shona Masarin & Cori Olinghouse's new experimental dance short GHOST LINE as well as films by Buster Keaton, Hans Richter and James Broughton. Monday, February 2nd at 6pm, at the Film Society of Lincoln Center, part of the Dance on Camera 2015 series.

"Constructing American Experimental Narratives" – Round Table Discussion at The 8th Athens Avant-Garde Film Festival, Greece

Nov. 21st, 4pm. In conjunction with Jon Gartenberg's program "A Panorama Of American Experimental Narratives In The New Millennium" at the 8th Athens Avant-Garde Film Festival in Greece is a roundtable discussion "Constructing American Experimental Narratives" with filmmakers featured in the program, Abigail Child and Julie Talen along with Jon. Free admission.

http://8aagff.tainiothiki.gr/en/parallel-events/constructing-american-experimental-narratives/

Film And Audiovisual Archives Round Table Discussion at The 8th Athens Avant-Garde Film Festival, Greece

Jon Gartenberg will be part of a round table discussion with film theorist Laura Mulvey, artist Jenny Marketou, director of the Cinemateca Portuguesa Jose Manuel Costa & director of the festival Maria Komninos on the subject of film and audiovisual archives. Part of the 8th Athens Avant-Garde Film Festival, Greece. November 20th at 4pm, free admission.

http://8aagff.tainiothiki.gr/en/parallel-events/film-and-audiovisual

The 8th Athens (Greece) Avant-garde Film Festival: "A Panorama of American Experimental Narratives in the New Millennium" A Retrospective Film Program Curated by Jon Gartenberg

A Retrospective Film Program Curated by Jon Gartenberg at the 8th Athens (Greece) Avant-garde Film Festival: "A Panorama of American Experimental Narratives in the New Millennium"      Athens Avant-garde Film Festival, Greece Wednesday, November 12 - Sunday, November 23 PROGRAM DESCRIPTION: This program provides a panorama of American experimental films made in the 21st century and focuses primarily on feature length narratives (both fiction and documentary), together with a complement of shorts.  Because these filmmakers lack the funding provided by Hollywood and "off-Hollywood" producers, they often struggle for long periods to complete their films.  At the same time, the creative independence that they have been afforded provides the individual filmmakers with great freedom of expression.  This talented group of artists, toiling mostly in solitude, created inspiring works that challenge, in thematic, structural, technical, and perceptual fashion, the manner in which we, as spectators, perceive the world at large. Stylistically, the films in this retrospective series encompass found footage works, diverse hand-crafted animation techniques, live action movies that experiment with formal structure, as well as hybrid documentary and fiction forms.  The contemporary artists in this program (while versed in the history of the avant-garde), are more consciously engaged with narrative cinema traditions, if only to then subvert them through their diverse storytelling strategies.  They most frequently represent time and space in a manner that tends to disrupt the illusion of spatial and temporal continuity, and to foreground the experience of memory.  Thematically, the films in this program incorporate reflections upon individual identity, the family structure, the fabric of the community, and the larger political culture, that are presented most often in critical and/or self-critical fashion.  They directly address significant social issues, including the tragic events of 9/11, presidential politics and political resistance, the earth's ecology, human diaspora and race relations, and the myth of the post World War II nuclear American family.  Please see pages 34-45 of the Festival Catalog, viewable and downloadable as a PDF Document here:   "A Panorama of American Experimental Narratives in the New Millennium"

Pesaro Film Festival - Program of American Experimental Narratives Curated by Jon Gartenberg

A Retrospective Film Program Curated by Jon Gartenberg at the 50th Annual Pesaro Film Festival: "A Panorama of American Experimental Narratives in the New Millennium"   Pesaro Film Festival, Italy Monday, June 23 - Saturday, June 28 PROGRAM DESCRIPTION: Since the 1960s, the United States has been a vibrant center of avant-garde filmmaking. Curator Jon Gartenberg's program offers a lesser-known face of US cinema in the Third Millennium (2001-2014).  No longer restricted to the underground experimentation of the past, today's equally innovative films incorporate more narrative elements. The selected films - by James Benning, John Gianvito, Penny Lane, Marie Losier, Ian Olds and James Franco, Jennifer Reeves, and Chris Sullivan - to name only a few - were made outside the dominant realm of commercial production, granting the directors great freedom from formal expression. Ranging from found footage and animation to live action and the hybrid form of docu-fiction, these stylistically heterogeneous films offer a compelling view of the American cultural and socio-political landscape.  Collectively, the filmmakers and their films touch upon the themes of individual identity, family dynamics, community, and the larger political culture. This retrospective film series comprises 17 film programs; an additional midnight screening of short films by the 6 American filmmakers in attendance at the festival (John Canemaker, Abigail Child, Thomas Allen Harris, Bill Morrison, Matthew Porterfield, and Julie Talen); a roundtable discussion with curator Jon Gartenberg, Festival Director Giovanni Spagnoletti, and these 6 filmmakers; and a master class by animation historian and filmmaker John Canemaker. For a description of the films in the retrospective, together with curator Jon Gartenberg's essay on this exhibition, please see pages 38-95 of the Festival Catalog, viewable and downloadable as a PDF Document here: "A Panorama of American Experimental Narratives  in the New Millennium"

GME Announces Upcoming Releases for 2014

GME DVD Distribution - 2014 New Releases Now that spring is just around the corner, GME is pleased to announce a forthcoming slate of DVD releases for the current academic semester.  Carefully selected from boutique publishers, these DVDs represent works extending from classic silent films through to cutting edge contemporary narratives and avant-garde films.  In the winter 2013 issue of Film Quarterly, editor Ruby Rich wrote that "the superb dedication of such entities as the Criterion Collection, Milestone Films, and Gartenberg Media Enterprises, to name key players, are making possible access to a wealth of cinematic history, ephemera, and value-added materials." A full list of our DVD offerings to date is noted here. UPCOMING RELEASES Watch for our upcoming releases of works by avant-garde masters James Benning, Jonas Mekas, Heinz Emigholz, and Hans Richter, classic Soviet films by Sergei Eistenstein and Dziga Vertov & boxed sets of silent cinema featuring Charlie Chaplin's Mutual Comedies and Mack Sennett's Keystone Comedies! DER BOMBERPILOT / NEL REGNO DI NAPOLI Werner Schroeter THE CURTIS HARRINGTON SHORT FILM COLLECTION  Curtis Harrington EIKA KATAPPA / DER TOD DER MARIA MALIBRAN Werner Schroeter FRENCH MASTERWORKS: RUSSIAN ÉMIGRÉS IN PARIS 1923-1929 Ivan Mosjoukine, Alexandre Volkoff, Marcel L'Herbier & Jacques Feyder THE RED LANTERN Albert Capellani, featuring Alla Nazimova SYMPHONIE PAYSANNE Henri Storck HEINZ EMIGHOLZ: THE FORMATIVE YEARS [I] & [II] Heinz Emigholz THE HUNCHBACK OF NOTRE DAME Wallace Worsley, starring Lon Chaney   JONAS MEKAS: THE MAJOR WORKS Jonas Mekas RECENT FILM RETROSPECTIVES DVD EDITIONS AVAILABLE FROM GME Selected films represented in the DVD boxed set FRENCH MASTERWORKS: RUSSIAN EMIGRES IN PARIS 1923-1929 (published by Flicker Alley) were featured in a "Films Albatros" retrospective at The Museum of Modern Art, New York this past December.   Additionally, in May-June 2012, MOMA also held a retrospective of the films of Werner Schroeter, that are featured on the DVD releases from Edition Filmmuseum, EIKA KATAPPA & DER TOD DER MARIA MALIBRAN and DER BOMBERPILOT & NEL REGNO DI NAPOLI. In MOMA's current film exhibition, "Vienna Unveiled: A City in Cinema",  screenings including moving image works by Kurt Kren, VALIE EXPORT, Maria Lassnig, John Cook, and Hans Scheugl, all filmmakers whose work is available from GME via DVD publications from INDEX and Edition Filmmuseum.  These DVD editions include films by Kurt Kren (ACTION FILMS, STRUCTURAL FILMS, and  WHICH WAY TO CA?), VALIE EXPORT (3 EXPERIMENTAL SHORT FILMS and INVISIBLE ADVERSARIES), John Cook, (SLOW SUMMER/CLINCH), Maria Lassnig (ANIMATION FILMS), and Hans Scheugl (THE SECONDS STRIKE REALITY). Furthermore, in March 2013, Anthology Film Archives featured a retrospective of moving image works made by the late Steve Dwoskin, entitled "Kissing the Moon: Films and Videos by Stephen Dwoskin".  GME is proud to offer 2 DVD publications of works by Steve Dwoskin, 14 FILMS BOX 1/3, from DVD publisher Les Films du renard, and DYN AMO, from Re:Voir.     These DVDs are currently being made available to universities, libraries, museums, and other educational organizations in North America (US and Canada), and include public performance rights. Public performance rights extend to use in classrooms and in other non-commercial settings where no admission is charged. Please Note: Many of our DVDs are published in PAL format Region 0.   PAL DVDs require a PAL or Multi-system DVD player for playback. Order by Phone @ 212.280.8654 or by Fax @ 212.280.8656 For inquiries and to order by e-mail, contact: sales@gartenbergmedia.com For our entire DVD catalogue, please visit: www.gartenbergmedia.com/dvd/

Warren Sonbert Films Screening in Paris Tribute to the "New York Underground"

Warren Sonbert Films Screening in  Paris Tribute to the New York Underground     Warren Sonbert with his film camera Two of Warren Sonbert's films, Amphetamine and Where Did Our Love Go? will be shown in the retrospective "New York Underground" organized by Documentaire sur grand écran, as part of a tribute to Bleecker Street Cinema.  Both films are screening in Paris at the Filmothèque du Quartier Latin on Saturday evening, November 23.       Beginning at age 15, Warren Sonbert, a Brooklyn native, regularly attended screenings at the Bleecker Street cinema.  He became friendly with the management, and, in 1965, at age 16 (!) he served as Editor-in-Chief of a special edition of New York Film Bulletin  on Jean-Luc Godard.  This magazine was regularly edited in the basement of the Bleecker Street Cinema, and this issue (number forty-six) already reveals Sonbert's precocious genius and deep appreciation of the voice of the cinematic auteur, as revealed in his one-on-one interview with Godard: "WS:  In Truffaut's La Peau Douce various banal objects (telephones, lights, shoes) play a significant role.  Is there any similarity in the continual presence of spherical objects and motions in Bande a Part? J-LG:  No, all that was accidental.  But you know, now that I think of it, what you said about round objects often seen in Bande a Part: the last shot is of the world which is round, you know - so maybe you're right."  AMPHETAMINE (1966) In February 1966, as a filmmaking student at New York University, Sonbert shot his first film (with Wendy Appel), entitled Amphetamine, about which he wrote, "First film, heavily influenced by Godard and Warhol - designed to shock".  His next movie, Where Did Our Love Go?, is, according to film critic James Stoller, "both a valentine and a farewell to a generation".  WHERE DID OUR LOVE GO? (1966) Warren Sonbert subsequently showed his films at Bleecker Street cinema.  Where Did Our Love Go? contains the only known footage of the interior of this movie theater during the period that it was founded and owned by Lionel Rogosin. Before he turned 21, Sonbert also secured a complete retrospective showing of his films at The Film-Makers' Cinematheque; the film critic for Variety wrote:  "Probably not since Andy Warhol's 'The Chelsea Girls' had its first showing at the Cinematheque...almost a year and a half ago has an 'underground' film event caused as much curiosity and interest in N.Y's non-underground world as did four days of showings of the complete films of Warren Sonbert at the Cinematheque's new location on Wooster St. last weekend (Thurs. - Sun. Jan 25-28).  And as before, the crowds (many turned away each night) were attributed to press reports." For a trailer of the "New York Underground" retrospective, featuring filmmaker Warren Sonbert, click here. For full program information, click here. For more information about Warren Sonbert & an international touring retrospective of his films, click here, or contact:  info@gartenbergmedia.com.