GME News
GME distributes Serge Bromberg’s HENRI GEORGES CLOUZOT’S INFERNO, a 2009 documentary based on material from Clouzot’s famous uncompleted film, THE INFERNO (1964), in a DVD edition destined for acquisition by academic institutions in North America.
Read MoreTrue to its title, the original, 10-reel version of THE LOST WORLD effectively disappeared from circulation in 1929—all known positive prints destroyed—a move by First National Pictures to help clear the way for another film utilizing special effects and Willis O’Brien’s cutting-edge animation techniques: KING KONG. For more than 80 years, only abridged editions of THE LOST WORLD remained in existence until now. This Blu-ray edition (published by Flicker Alley, and also available in a DVD MOD version) of THE LOST WORLD is the most complete reconstruction of the film. The 2K digital restoration features newly-discovered scenes and special effect sequences, incorporating almost all original elements from archives and collections around the world.
Read MoreTalented independent filmmaker Nicolás Pereda will be featured in a Special Event/interactive performance ("Nicolás Pereda’s The Private Property Trilogy”) on April 29 at the fifth edition of Art of the Real.
Read MoreGME is pleased to present the release of Philippe Garrel’s MARIE POUR MÉMOIRE on DVD. This auteur is the unsung hero of the French New Wave, who only now is beginning to receive the international recognition that he is due, thanks to worldwide retrospective screenings in recent years of his work.
Read MoreThe well-regarded Buenos Aires International Festival of Independent Cinema (BAFICI) runs from April 11 - 22, and will feature films by Philippe Garrel and James Benning that are distributed in DVD editions by GME
Read MoreJon Gartenberg, head of GME, speaks about his company’s adventures, working with both artists and companies, in excavating and repurposing collections of celluloid moving images and silver gelatin photographic prints.
Read MoreThe Museum of Moving Image is opening its “Fashion in Film Festival” this Friday (April 6) with the North American premiere screening of THE INFERNO UNSEEN (2018), a newly edited assemblage of rushes from Henri-Georges Clouzot’s famous uncompleted film, THE INFERNO (1964). The current version, edited by Rollo Smalcombe and Markea Uhlirova, departs from Serge Bromberg’s critically acclaimed documentary about the making of Clouzot’s film (2009). GME distributes Bromberg’s film, entitled HENRI GEORGES CLOUZOT’S INFERNO, in a DVD edition destined for acquisition by academic institutions in North America.
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NYU Tisch School of the Arts, 721 Broadway, New York, NY Room 006
Thursday, January 25, 2018 - 2:00pm - 4:00pm
The NYU Aging Incubator presents a screening and Q&A with Tisch Professor, John Canemaker, celebrated animator and Academy Award winner, interviewed by Jon Gartenberg, renowned film curator and NYU Tisch Alum. Join us for a look at John’s animated short film, The Moon and the Son: An Imagined Conversation, and a conversation that explores John’s personal perspective on aging.
The Moon and the Son - An Imagined Conversation (2005)
Academy Award and Emmy Award-winner (The Moon and the Son: An Imagined Conversation, 2005) John Canemaker heads the Animation program at NYU Tisch School of the Arts, where he received a 2009 Distinguished Teaching Award. His films are in MoMA’s collection and distributed by Milestone Film. He has written twelve acclaimed animation history books, numerous articles for major periodicals, and curated exhibitions for Walt Disney Family Museum and Katonah Museum of Art. Canemaker received the Winsor McCay Lifetime Achievement Award from ASIFA-Hollywood, and two residencies from the Rockefeller Foundation.His blog, John Canemaker’s Animated Eye, explores art, animation and performance.
John Canemaker
Jon Gartenberg has focused a significant part of his career on furthering the work and legacy of moving image artists. He acquired avant-garde films for the permanent collection at MOMA and programmed experimental films for the Tribeca Film Festival between 2003 and 2014. For the 2007 edition of the TFF, he organized a one-person tribute to John Canemaker. He has also spearheaded a comprehensive project to preserve, distribute, and curate international retrospectives of the films of Warren Sonbert. His company also distributes DVDs of experimental filmmakers to the university market in North America.
Jon Gartenberg
Warren Sonbert’s WHERE DID OUR LOVE GO? has been digitally restored with funding by the Fondazione Prada Milano. This new digital restoration was screened at The New American Cinema Torino 1967 along with films by Robert Breer and Ben Van Meter.
Gartenberg Media Enterprises is pleased to announce a retrospective of Warren Sonbert’s films, for the first time extensively paired together with those of Hollywood filmmakers of the postwar years, including Douglas Sirk, Alfred Hitchcock, Vincente Minnelli, Nicholas Ray, and Michael Gordon.
Warren Sonbert with his Bolex Camera.
Six programs will be screened at the Cinematheques in both Jerusalem and Tel Aviv. This series has been co-curated by Chen Sheinberg and Jon Gartenberg, and is presented by the Center for Contemporary Art in Tel Aviv, with the support of the Ostrovsky Family Fund. Before the first screenings (on February 14 and 15), Jon Gartenberg will give an introduction to Warren Sonbert’s work. Chen Sheinberg will introduce the screenings that follow in the coming months.
[Note to reader: The Hebrew version begins from the top down, and the English version from the bottom up].
Sheinberg explains the genesis of this series:
VERTIGO (Alfred Hitchcock, 1958)
“Two years ago, OFF 4 series explored various facets of the interrelations and mutual influences between Hollywood and the cinematic experimental avant-garde from the 1920s to our own time in terms of cinematic expression, visual aesthetics and themes. Following the success of that series, and as I kept researching this theme, Vivian Ostrovsky called my attention to one of the seminal figures in American experimental filmmaking – Warren Sonbert. Having discussed it, we decided to focus this time on this specific filmmaker and examine his relationship to classic postwar Hollywood cinema. Ostrovsky referred me to Jon Gartenberg, a world expert on Sonbert’s cinema, who served for 18 years as a curator in the film archive of The Museum of Modern Art in New York and as the experimental film programmer for the Tribeca Film Festival, and has been working for years on archiving and preserving the cineaste’s work and curating retrospectives of his films in many major museums and cinematheques all over the world.
For OFF 5, we came up with a program that connects Sonbert’s films with Hollywood cinema, and especially with innovative Hollywood auteurs who experimented with the medium and explored it, such as Douglas Sirk, Alfred Hitchcock, Vincente Minnelli and Nicholas Ray – all of them directors that also inspired European modernist cinema. Based on the films’ formal, stylistic and thematic elements, the connection we draw between them is also associative at times. It is important to mention right from the outset that Sonbert was influenced by these directors as well as wrote articles on some of them. In addition, we have included in the series other American experimental filmmakers like Kenneth Anger and Jeff Scher, as well as Soviet documentarist Dziga Vertov, in order to point to the influence these filmmakers and their avant-garde films had on Sonbert’s films.”
For further information about Warren Sonbert’s films, please see:
GME Programming & Curating: Warren Sonbert Retrospective
All Sonbert Photographs, © The Estate of Warren Sonbert
![[Note to reader: The Hebrew version begins from the top down, and the English version from the bottom up].](https://images.squarespace-cdn.com/content/v1/52afa15ce4b042c7f0089b22/1486785873651-Y3PQHID5WNR01GD4V3MX/off5_final.jpg)
