HALLELUJAH THE HILLS (US, 1963, Adolfas Mekas)

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HALLELUJAH THE HILLS (US, 1963, Adolfas Mekas)

HALLELUJAH THE HILLS, Adolfas’ debut feature film, was selected for the first New York Film Festival in 1963, was the hit of the 'Out-of-Competition' section at the Cannes Film Festival, and won the Silver Sail at Locarno. Referencing Charlie Chaplin, D. W. Griffith, and Maya Deren, Mekas' film is a work that bears witness to his knowledge and love of cinema, as well as the immense freedom to be found in the films of the New American Cinema.

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HE STANDS IN A DESERT COUNTING THE SECONDS OF HIS LIFE (US, 1969-1985, Jonas Mekas)

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HE STANDS IN A DESERT COUNTING THE SECONDS OF HIS LIFE (US, 1969-1985, Jonas Mekas)

The Diary Film was a significant form that has run throughout the history of American independent cinema, and whose major practitioner has been filmmaker Jonas Mekas. GME is therefore pleased to distribute HE STANDS IN A DESERT COUNTING THE SECONDS OF HIS LIFE as a DSL file to North American universities.

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GUNS OF THE TREES (US, 1962, Jonas Mekas)

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GUNS OF THE TREES (US, 1962, Jonas Mekas)

"GUNS OF THE TREES deals with the thoughts, feelings, and anguished strivings of my generation, faced with the moral perplexity of our times. Conceived as an episodic, horizontal film, there is no apparent direct story connection between one scene and the next. The scenes act like pieces of a larger, timed, emotional mosaic. Where the direct word, or the direct image, fails — when we come to more essential things — the indirectness of the poet will seize the essence and the truth." —Jonas Mekas

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THIS SIDE OF PARADISE (US, 1999, Jonas Mekas)

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THIS SIDE OF PARADISE (US, 1999, Jonas Mekas)

“I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy's and her sister Lee Radziwill's families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship.” —Jonas Mekas

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HAPPY BIRTHDAY TO JOHN (US, 1995, Jonas Mekas)

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HAPPY BIRTHDAY TO JOHN (US, 1995, Jonas Mekas)

"On October 9th, 1972, half of the music world gathered in Syracuse, N.Y., to celebrate the opening of John Lennon/Yoko Ono Fluxus show, designed by George Maciunas. [The] same day, a smaller group gathered in a local hotel room to celebrate John's birthday." —Jonas Mekas

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ZEFIRO TORNA OR SCENES FROM THE LIFE OF GEORGE MACIUNAS (US, 1992, Jonas Mekas)

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ZEFIRO TORNA OR SCENES FROM THE LIFE OF GEORGE MACIUNAS (US, 1992, Jonas Mekas)

"Bits of Fluxus events and performances, and picnics with friends (Almus, Andy Warhol, John Lennon, Yoko Ono, etc.), George's wedding and footage I took of him in Boston hospital three days before he died." —Jonas Mekas

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SCENES FROM THE LIFE OF ANDY WARHOL: FRIENDSHIPS AND INTERSECTIONS (US, 1990, Jonas Mekas)

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SCENES FROM THE LIFE OF ANDY WARHOL: FRIENDSHIPS AND INTERSECTIONS (US, 1990, Jonas Mekas)

In SCENES FROM THE LIFE Of ANDY WARHOL: FRIENDSHIPS AND INTERSECTIONS, Jonas Mekas continues in his tradition of creating rapid-fire diary films, chronicling not only Andy Warhol, but also the social and cultural excitement that swirled around him, throbbing to a hypnotic Velvet Underground beat.

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REMINISCENCES OF A JOURNEY TO LITHUANIA (US, 1972, Jonas Mekas)

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REMINISCENCES OF A JOURNEY TO LITHUANIA (US, 1972, Jonas Mekas)

“Jonas and Adolfas Mekas arrived in America in 1949 as displaced persons, former prisoners of German labor camps, exiled from their native Lithuanian farming village. Wanted by the Soviet police, they had been forced to leave home years earlier, not to return for 27 years. REMINISCENCES OF A JOURNEY TO LITHUANIA is the compelling document of a divided family and their long-delayed reunion.” —Re:Voir Video

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BATANG WEST SIDE (US, Philippines, 2001, Lav Diaz)

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BATANG WEST SIDE (US, Philippines, 2001, Lav Diaz)

BATANG WEST SIDE, the first major epic in the oeuvre of Lav Diaz, is a powerful contemporary portrait of the Filipino diaspora in New York and New Jersey. GME distributes this title in a DVD and DSL bundle, now available (along with Diaz’s 2018 short THE BOY WHO CHOSE EARTH) from Edition-Filmmuseum.

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THE TENTH LEGION (US, 1967, Warren Sonbert)

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THE TENTH LEGION (US, 1967, Warren Sonbert)

In THE TENTH LEGION, Sonbert presents his college age friends at work and play, wandering the streets of NYC, lounging, shopping, and posing for the camera. The film stylistically exemplifies Sonbert’s masterful use of a constantly moving hand-held camera as it trails the teenage protagonists in choreographed fashion, and of chiaroscuro lighting effects in interior scenes.

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THE BAD AND THE BEAUTIFUL (US, 1967, Warren Sonbert)

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THE BAD AND THE BEAUTIFUL (US, 1967, Warren Sonbert)

One of the most profound themes coursing through Sonbert’s work is that of love between couples in all its pitfalls and perfect moments. To express this theme, Sonbert employed diverse cinematic strategies. These include in-camera editing (in THE BAD AND THE BEAUTIFUL,1967), twin-screen effects (in two “lost” films -- CONNECTION and TED AND JESSICA -- also both from 1967), and montage sequences (beginning with TUXEDO THEATRE, 1969).

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Re:voir Collection

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Re:voir Collection

GME presents key works published by RE:VOIR, a label that publishes and distributes classic and contemporary experimental cinema including films from the Dadaist, Surrealist and Letterist movements, films from the American avant-garde, diary films, arthouse features, animated works and hand-painted films.

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DORE O. - FIGURES OF ABSENCE

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DORE O. - FIGURES OF ABSENCE

“Being located in the “antechamber of language, even of consciousness,” her newly restored films occupy a state of in-betweenness that cannot be easily interpreted nor approached verbally. Their associative stream of images and sounds acts as a deliberation on their sensuality. In a dream-like density and strange suspension of time, O.’s films induce a heightened sense of perception between hypnosis and clarity.”

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MARIE LOSIER - THE BALLAD OF GENESIS AND LADY JAYE / FELIX IN WONDERLAND

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MARIE LOSIER - THE BALLAD OF GENESIS AND LADY JAYE / FELIX IN WONDERLAND

New York filmmaker born in Paris, Marie Losier begins filming, with portraits of people she met in New York, documenting their lives from what she sees and what she feels after many years in theater and painting which had a great influence on her. Then she uses her imagination to represent these characters or situations as in a tableau vivant. Always with the materiality of the film which requires a certain way of working, her cinema develops a mystery, a magical moment.

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