Warren Sonbert: Music & Montage

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Warren Sonbert: Music & Montage

Beginning with 1989’s FRIENDLY WITNESS, Warren Sonbert once again began using music in his films, thereby fusing the aural style of his early New York works with the polyvalent montage approach he had honed as a silent filmmaker over the past 15 years. 1991’s SHORT FUSE is perhaps the artist’s most intense work — featuring a variegated soundtrack and created shortly following his HIV diagnosis — while his final film, 1995’s WHIPLASH, was completed posthumously.

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THIS SIDE OF PARADISE (US, 1999, Jonas Mekas)

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THIS SIDE OF PARADISE (US, 1999, Jonas Mekas)

“I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy's and her sister Lee Radziwill's families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship.” —Jonas Mekas

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HAPPY BIRTHDAY TO JOHN (US, 1995, Jonas Mekas)

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HAPPY BIRTHDAY TO JOHN (US, 1995, Jonas Mekas)

"On October 9th, 1972, half of the music world gathered in Syracuse, N.Y., to celebrate the opening of John Lennon/Yoko Ono Fluxus show, designed by George Maciunas. [The] same day, a smaller group gathered in a local hotel room to celebrate John's birthday." —Jonas Mekas

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MARIE LOSIER - THE BALLAD OF GENESIS AND LADY JAYE / FELIX IN WONDERLAND

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MARIE LOSIER - THE BALLAD OF GENESIS AND LADY JAYE / FELIX IN WONDERLAND

New York filmmaker born in Paris, Marie Losier begins filming, with portraits of people she met in New York, documenting their lives from what she sees and what she feels after many years in theater and painting which had a great influence on her. Then she uses her imagination to represent these characters or situations as in a tableau vivant. Always with the materiality of the film which requires a certain way of working, her cinema develops a mystery, a magical moment.

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