GME News
Running from January 12 to February 2, 2023, this year’s program will open and close with the restoration premieres of two major silent films from MoMA’s archive: Paul Leni’s horror comedy THE CAT AND THE CANARY (1927) and Ernst Lubitsch’s comedy THE MARRIAGE CIRCLE (1924), respectively.
Read MoreGartenberg Media wishes the best for our university colleagues in these trying times. Due to the sudden advent of remote teaching beginning in March, we decided to suspend our announcement of our spring semester DVD releases until the fall of 2020. Nevertheless we are fully prepared to fulfill prospective orders to the academic community from our entire catalog of more than 200 titles. For a complete list of our DVD/Blu-ray titles and pricing, please click here. There are live links from each title to its individual web page description. We thought this listing would be helpful for university librarians who need to expend their budgets before the end of this academic year in May, as well as for professors anticipating teaching material for their fall curricula.
Read MoreDuring this semester, Gartenberg Media Enterprises has offered an extensive slate of new DVD and Blu-ray publications for distribution to the North American academic community. These digital editions were selected from film archives and boutique publishers worldwide, and represent the entire breadth and depth of moving image history. They encompassed trick films by George Méliès, dating from the 1890s, through to 21st Century experimental filmmakers working in both France and the United States, including Jacques Perconte, Jeff Scher, and Robert Todd.
Read MoreThe end of the silent era (1928 and 1929) saw an apotheosis of the art and craft of the motion picture, just as the advent of sound was overtaking the motion picture industry. At a time when film theaters were being wired for sound, studios produced “talkies” that were more stage-oriented. The height of artistic achievement in late-era silent films was visually demonstrated in films emanating from France, Germany, the United States, and the Soviet Union; these countries produced masterworks of sweeping camera movement and rapid-fire montage.
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