Introducing GME's Featured Filmmakers Collection

Introducing GME's Featured Filmmakers Collection

Gartenberg Media is proud to present multiple DVD, Blu-ray and DSL editions of several featured filmmakers in our catalog, including extensive representation of the work of James Benning, Philippe Garrel, Marie Losier, Jonas Mekas, Warren Sonbert, Henri Storck, Dziga Vertov and others.

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GME DVD Distribution: End of Semester Update

GME DVD Distribution: End of Semester Update

Gartenberg Media wishes the best for our university colleagues in these trying times. Due to the sudden advent of remote teaching beginning in March, we decided to suspend our announcement of our spring semester DVD releases until the fall of 2020. Nevertheless we are fully prepared to fulfill prospective orders to the academic community from our entire catalog of more than 200 titles. For a complete list of our DVD/Blu-ray titles and pricing, please click here. There are live links from each title to its individual web page description. We thought this listing would be helpful for university librarians who need to expend their budgets before the end of this academic year in May, as well as for professors anticipating teaching material for their fall curricula.

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GME DVD Distribution – Season in Review

GME DVD Distribution – Season in Review

During this semester, Gartenberg Media Enterprises has offered an extensive slate of new DVD and Blu-ray publications for distribution to the North American academic community.  These digital editions were selected from film archives and boutique publishers worldwide, and represent the entire breadth and depth of moving image history.   They encompassed trick films by George Méliès, dating from the 1890s, through to 21st Century experimental filmmakers working in both France and the United States, including Jacques Perconte, Jeff Scher, and Robert Todd.

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GME Presents DVD Fall Flashbacks - German Expressionism -- Paul Leni and Richard Oswald

GME Presents DVD Fall Flashbacks - German Expressionism -- Paul Leni and Richard Oswald

The end of the silent era (1928 and 1929) saw an apotheosis of the art and craft of the motion picture, just as the advent of sound was overtaking the motion picture industry. At a time when film theaters were being wired for sound, studios produced “talkies” that were more stage-oriented. The height of artistic achievement in late-era silent films was visually demonstrated in films emanating from France, Germany, the United States, and the Soviet Union; these countries produced masterworks of sweeping camera movement and rapid-fire montage.

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