Three Warren Sonbert Films Screened at Doc Films at University of Chicago

Three Warren Sonbert Films Screened at Doc Films at University of Chicago

On Sunday, April 13th, at 7pm, three films by Warren Sonbert — 1966’s HALL OF MIRRORS, 1986’s THE CUP AND THE LIP, and 1989’s FRIENDLY WITNESS — screened at Doc Films at the University of Chicago on 16mm. This program was introduced by film scholar Fred Camper, who has written extensively about Sonbert’s films, and screened as part of a larger Doc Films series curated by Hannah Yang, titled Encounters in the Cinema. Yang describes the series as “draw[ing] attention to… the way in which both film and spectator shape each other, and cinema as a whole, in the dark space of the movie theater.”

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Warren Sonbert's FRIENDLY WITNESS Plays in Chicago In "Tone Glow Presents Pop Music as Prismatic Utopia"

Warren Sonbert's FRIENDLY WITNESS Plays in Chicago In "Tone Glow Presents Pop Music as Prismatic Utopia"

This Friday, April 19th, at 7pm, writer and programmer Joshua Minsoo Kim will screen Warren Sonbert’s FRIENDLY WITNESS in the second film program presented by his experimental music newsletter Tone Glow, titled Pop Music in Prismatic Utopia. The program will play at Chicago’s Sweet Void Cinema, a production company and microcinema located in Humboldt Park. GME is proud to represent the work and legacy of Sonbert, whose films — as evidenced by Kim’s program and a number of other screenings and retrospectives within recent years — have been experiencing a renaissance. FRIENDLY WITNESS, in particular, is a significant title in Sonbert’s oeuvre, as it demarcates his return to sound after many years of making silent montage films.

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