THE CUP AND THE LIP (US, 1986, Warren Sonbert)

THE CUP AND THE LIP (US, 1986, Warren Sonbert)

Warren Sonbert’s THE CUP AND THE LIP screened in the 1987 Whitney Biennalie, where it was described as “continu[ing] his series of cinematic diaries, composed of sequences and shots recorded during his travels. One of his most striking color films, THE CUP AND THE LIP portrays people at ease as private individuals and at attention as representatives of state. Although personal in tone, it is a political text with mediates on the nature of authority.”

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DIVIDED LOYALTIES (US, 1978, Warren Sonbert)

DIVIDED LOYALTIES (US, 1978, Warren Sonbert)

Warren Sonbert described DIVIDED LOYALTIES as a film “about art versus industry and their various crossovers.” According to film critic Amy Taubin, “there is a clear analogy between the filmmaker and the dancers, acrobats and skilled workers who make up so much of his subject matter.”

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AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY (US, 2000, Jonas Mekas)

AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY (US, 2000, Jonas Mekas)

AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY sees Jonas Mekas reconstruct his life through various home movies filmed over the course of three decades. Footage includes picnics and birthday parties as well as significant life events, such as Mekas’ children taking their first steps. Throughout, Mekas offers his own commentary via voiceover about what the viewer is seeing.

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WALDEN (US, 1969, Jonas Mekas)

WALDEN (US, 1969, Jonas Mekas)

Filmed from 1964 to 1969, WALDEN is Jonas Mekas’ first completed diary film, composed of moments, people, and events captured with his Bolex 16mm camera. At once intimate and epic in scope, WALDEN vacillates between the New York avant-garde scene of the mid-to-late 1960s (with Mekas’ lens immortalizing such notable friends and colleagues as Andy Warhol, John Lennon, Yoko Ono, and The Velvet Underground) and quotidian moments from Mekas’ family and day-to-day life.

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THE BRIG (US, 1964, Jonas Mekas)

THE BRIG (US, 1964, Jonas Mekas)

Jonas MekasTHE BRIG is a filmic rendering of the off-Broadway play of the same name, written by Kenneth H. Brown, which chronicles the abuses and indignities suffered by inmates at a Marine Corps prison. Brown wrote the play based on his own experiences as a U.S. Marine who spent 30 days in a brig for being absent without leave while serving with the Third Marines at Camp Fuji, Japan in the 1950s.

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