WHIPLASH (US, 1995—97, Warren Sonbert)

/
WHIPLASH (US, 1995—97, Warren Sonbert)

WHIPLASH is the final film by Warren Sonbert, a globe-spanning collage haunted by themes of mortality. Sonbert made WHIPLASH in the years following his HIV diagnosis; his vision and motor skills impaired, he gave his companion, Ascension Serrano, detailed instructions about the assembly of specific shots and the music to be used as a counterpoint to the images. Before his death in 1995, he asked filmmaker Jeff Scher (a former student of Sonbert's at Bard) to complete the film. WHIPLASH was also completed with assistance from the Film Preservation Project of the Estate Project for Artists with AIDS, of which GME President Jon Gartenberg was Program Director. The film premiered posthumously at the New York Film Festival in 1997.

Read More

SHORT FUSE (US, 1992, Warren Sonbert)

/
SHORT FUSE (US, 1992, Warren Sonbert)

Warren Sonbert described DIVIDED LOYALTIES as a film “about art versus industry and their various crossovers.” According to film critic Amy Taubin, “there is a clear analogy between the filmmaker and the dancers, acrobats and skilled workers who make up so much of his subject matter.”

Read More

FRIENDLY WITNESS (US, 1989, Warren Sonbert)

/
FRIENDLY WITNESS (US, 1989, Warren Sonbert)

Curator Jon Gartenberg writes: “In FRIENDLY WITNESS, Sonbert returned, after 20 years, to sound. In the first section of the film, he deftly edits a swirling montage of images — suggestive of loves gained and love lost — to the tunes of four rock songs. “At times the words of the songs seem to relate directly to the images we see... at other times words and images seem to be working almost at cross-purposes or relating only ironically. Similarly, at times the image rhythm and music rhythm appear to dance together, while at others they go their separate ways.” (Fred Camper).”

Read More

HONOR AND OBEY (US, 1988, Warren Sonbert)

/
HONOR AND OBEY (US, 1988, Warren Sonbert)

In Warren Sonbert's HONOR AND OBEY, soldiers march in formation, a tiger stalks through the snow, religious processions wind through the streets, and palm trees wave in a tropical breeze. As brightly colored images of authority figures blend into scenes of cocktail parties, this 21-minute silent film flows along with the grace of a musical score built on complex tensions hidden among notes.

Read More

RUDE AWAKENING (US, 1976, Warren Sonbert)

/
RUDE AWAKENING (US, 1976, Warren Sonbert)

Warren Sonbert described his 1976 polyvalent montage film RUDE AWAKENING as being “about Western civilization and its work; activity ethic and the viability of performing functions and activities.”

Read More

TUXEDO THEATRE (US, 1968, Warren Sonbert)

/
TUXEDO THEATRE (US, 1968, Warren Sonbert)

Filmed in 1968, Warren Sonbert considered THE TUXEDO THEATRE an early version of — or “dress rehearsal” for — the film he would ultimately regard as his magnum opus, 1973’s CARRIAGE TRADE. As in CARRIAGE TRADE, Sonbert traveled around the world to create a tightly-edited work of polyvalent montage in THE TUXEDO THEATRE. It was his first foray into this style of filmmaking following a series of short films, set to the popular music of the time, that documented his contemporaries (including Andy Warhol’s Factory scene) in mid-1960s New York.

Read More