GME News
Today, September 29th, has been established by an international group of film archivists as Silent Movie Day! Head to the DVD Distribution section of our website and learn about the myriad International Silent Classics in our catalogue, currently available for institutional rental or acquisition in North America.
Read MoreIt may be the dog days of summer, but that hasn’t stopped GME from keeping busy. Today, we reflect on screenings, events, and celebrations from July related to our multifaceted projects. Notably, an archival gem relevant to MoMA’s month-long Powell and Pressburger retrospective was unearthed from GME President Jon Gartenberg’s papers, and a true crime film by James Benning (whose films we exclusively distribute to North American universities) screened at Anthology Film Archives.
Read MoreREMINDER: Jon Gartenberg's program Politically-Trenchant New York City Symphony Films (1984-2006) screens TONIGHT at 8pm at Allied Productions Project Space (368 East 8th Street, Storefront West). Read on to learn about Gartenberg's commitment to excavating and exhibiting city symphony films, dating back to the early 1970s.
Read MoreOn July 24th, at 9pm, and August 2nd, at 6:30pm, James Benning’s LANDSCAPE SUICIDE (1986) — which GME distributes to North American universities as both a DVD and DVD/DSL bundle — screens at Anthology Film Archives in the series Verbatim. A preeminent formalist filmmaker whose lengthy and distinguished career dates back to the early 1970s, GME is proud to be the sole distributor of Benning’s films to the North American institutional market. In addition to LANDSCAPE SUICIDE, GME distributes the following Benning titles as both DVDs and DVD/DSL bundles: 11 X 14, ONE WAY BOOGIE WOOGIE, 27 YEARS LATER (1977—2012), GRAND OPERA (1979), AMERICAN DREAMS (LOST & FOUND) (1984), O PANAMA (1985), DESERET (1995), FOUR CORNERS (1997), his CALIFORNIA TRILOGY (1999—2001), CASTING A GLANCE (2007), RR (2007), NATURAL HISTORY (2009), and RUHR (2014).
Read MoreHappy Summer from Gartenberg Media Enterprises! Today we reflect on screenings, events, and celebrations from June, in New York City and beyond, related to GME’s multifaceted projects. Notably, a suite of films by Warren Sonbert, whose body of work and legacy GME represents, played at the National Gallery of Art, while several films by Alexander Kluge, whose work GME distributes to the North American University Market, were shown at e-Flux Screening Room as part of an extensive, week-long retrospective.
Read MoreOn June 13th, 15th, and 18th, e-Flux Screening Room will mount the series Phoenix Cinema: Meeting with Alexander Kluge, which takes place in-person, in four parts, at e-Flux, and in six parts online through July 17th. GME distributes Kluge’s features YESTERDAY’S GIRL (1966) and PART-TIME WORK OF A DOMESTIC SLAVE (1973) on a DVD publication with Edition Filmmuseum that includes five of the German artist’s short films as bonus features: BRUTALITY IN STONE (1961), TEACHERS (1963), AN EXPERIMENT IN LOVE, AN VERTOV (both 1998), and SAM REMEMBERS PAPA KONG (2006). Kluge’s participation in the Oberhausen Manifesto is also represented in our library, with his 1961 film BRUTALITÄT IN STEIN (a collaboration with filmmaker Peter Schamoni) included in the 2-disc DVD publication THE OBERHAUSEN MANIFESTO.
Read MoreIt’s finally June, and with the start of summer officially just around the corner, here is a recap of screenings, events, and celebrations from May, in New York City and beyond, related to GME’s multifaceted projects. Notable exhibition programs include a suite of films by Man Ray at Boston’s Brattle Theatre and a collaboration between the Film-Makers’ Cooperative and Film at Lincoln Center; both programs featured filmmakers and films GME distributes to universities in North America. Also in May, MoMA and Anthology Film Archives mounted retrospectives of the work of Warren Sonbert’s colleagues Nathaniel Dorsky and Jerome Hiler, both of whom GME featured in a compilation reel of clips from Sonbert’s films. Additionally, GME licensed three photographs from the Raimondo Borea collection for two books and a documentary film.
Read MoreOn June 7th, at 7pm, experimental filmmaker and former Executive Director of Canyon Cinema, Dominic Angerame, will present a program of eight films catalogued by both Canyon and the Film-Makers’ Cooperative, titled From West and East: Canyon Cinema Meets the Coop. Scholar and educator Kornelia Boczkowska co-curated the program with Angerame, which features two of Angerame’s recent films: LUMINAE (2023) and AEON (2024). GME is proud to distribute nine of Angerame’s city symphony films in the collection CITYSCAPES, which is available to the North American university market as both a DVD and DSL.
Read MoreFrom Friday, May 31st, to Monday, June 3rd, four films by Man Ray — RETURN TO REASON, EMAK-BAKIA, L’ETOILE DE MER, and LES MYSTERES DU CHATEAU DU DE — will play at Boston’s Brattle Theatre, on the occasion of the 100th anniversary of RETURN TO REASON, in the program MAN RAY: RETURN TO REASON. GME distributes Ray’s RETURN TO REASON and EMAK-BAKIA to the North American university market in the eight-film DVD collection CINÉMA DADA. This collection also includes films by early experimental cinema pioneers like Hans Richter and Fernand Léger.
Read MoreFrom May 3rd to 7th, Film at Lincoln Center and the Film-Makers’ Cooperative mounted a 10-program series of films and video art titled Seeing the City: Avant-Garde Visions of New York from the Film-Makers’ Cooperative Collection and Beyond. Today is the final day of this series, which highlights works from within and outside of the FMC’s archive that chronicle New York City from a diverse array of perspectives. GME is proud to distribute, to the North American university market, titles by a number of filmmakers whose films appear in this series, such as Stan Brakhage, Holly Fisher, Marie Menken, Ian Hugo, Francis Thompson, and Rudy Burckhardt. GME distributes, as well, many other international city symphony films — not only of New York, but also San Francisco, Los Angeles, Berlin, Ostend, Granada, Lourdes, Cassis, Brussels, and elsewhere. To view a complete list of our city symphony titles, click here. To read Jon Gartenberg’s article about New York city symphony films, click here.
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