GME News
Jon, David and Fred recently visited Jonas Mekas: The Camera Was Always Running exhibition at the Jewish Museum to experience the multi-screen experience of this major filmmaking and cultural figure, who is also a central artist in GME’s collection.
Read MoreBroadway theaters have always been named for giants of the stage—including, to name a few, Eugene O’Neill, George and Ira Gershwin, and Neil Simon. Historically, however, few Black artists have received this honor. Now, in a historic first, a Broadway theater will be named for a Black woman: singer and actress Lena Horne.
Read MoreNANOOK OF THE NORTH premiered 100 years ago at the Capitol Theater in New York City, on June 11 1922. The film’s unprecedented commercial success inspired a century of documentary filmmaking. On the centennial anniversary of NANOOK OF THE NORTH, The Flaherty invites viewers and scholars of the film to consider the complex legacy of NANOOK OF THE NORTH in settler-colonial as well as indigenous cultures.
Read MoreThis recent screening series (June 17-19) paid tribute to the work and legacy of Dore O., one of Germany’s most influential and pioneering experimental filmmakers, who tragically passed away in early March 2022. The series also marked the announcement of the publication “Figures of Absence. The Films of Dore O.” (ed. Masha Matzke), which will be released in English by archivebooks in late 2022.
Read MoreGERMAINE DULAC: CINEMATIC SENSATIONS AT THE HOUSE OF DREAMS presents nearly 30 films by Germaine Dulac, feminist, socialist and avant-garde pioneer of the 1920s. The two most famous, the impressionist LA SOURIANTE MADAME BEUDET (1923), with its heroine with modern tastes confined to a bourgeois marriage, and LA COQUILLE ET LE CLERGYMAN (1927), the first surrealist film in history, conceived as an essay on the rhythm, have durably transformed the cinematographic landscape.
Read MoreJean-Louis Trintignant, a leading French actor of subtle power who appeared in some of the most celebrated European films of the last 50 years, among them Bernardo Bertolucci’s THE CONFORMIST, Eric Rohmer’s MY NIGHT AT MAUD’S and Claude Lelouch’s A MAN AND A WOMAN, passed away recently at his home in southern France. He was 91.
Read MoreJean Genet ’s 1959 play, THE BLACKS, uses the framework of a play within a play, to expose racial prejudice and stereotypes while exploring black identity. It was the longest-running Off-Broadway non-musical of the 60s and was photographed by Hugh Bell.
Read MoreIn conjunction with the retrospective of artist - filmmaker Jonas Mekas at the Jewish Museum, films originally programmed at the Jewish Museum by Mekas in 1969 are being shown through the end of this month. Not shown in the current series, but screened back in 1969 was Warren Sonbert’s THE TUXEDO THEATRE.
Read MoreEsfir (Esther) Shub’s SEGODNYA (USSR, 1930), straight from Gosfilmofond, the most extensive Russian film archive, will be screened for the first time in the US since 1932. It will be shown June 2nd at Women and the Silent Screen (WSS), a biennial international conference sponsored by Women and Film History International (WFHI).
Read MoreFramework: The Journal of Cinema and Media has co-sponsored the symposium, "Transatlantic Experimental Film Connections and Influences: New American Cinema and Europe in the 1960s and Afterwards," held May 26, 2022 in Turin Italy. The symposium brings together scholars, archivists and writers to discuss the occasion of the momentous introduction of the New American Cinema (NAC) at Spoleto in 1961 and the longevity of its impact.
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