GME News
The screening at Luminor City Hall in Paris pays tribute to the work and legacy of one of the great pioneers of German experimental cinema, yet relatively unknown to this day. In the 1960s, within the post-war German artistic landscape, the painter Dore O. was one of the first women to make experimental films independently and consistently.
Read MoreNoted film critic Amy Taubin has accepted an invitation by The Museum of Modern Art to delve into their archives to conjure a thrilling, thrumming vision of New York City, the place she has called home her entire life.
Read MoreA group of experts — Diana Gonzalez-Duclert, Ted Chapin, Elena Zahlmann, and Diana Byer — who have all been closely involved with de Mille’s choreographic and written works, celebrate de Mille’s major contribution to American dance and its cultural heritage, and explore how these contributions are still relevant today in commemoration of the 30th anniversary of Agnes de Mille’s death in a live, online course presented by Roundtable at the 92nd Street Y.
Read MoreMajor works by masters of their respective genres, Maya Deren and F.W. Murnau, are being screened April 22nd (Deren) and 23rd (Murnau) at MoMI.
Read MoreCurated by artist and writer Andrew Lampert, this street level exhibition features a panoramic selection of Jacobs’ nearly 70 years of pioneering films and digital videos in the Broadway Windows gallery located on the corner of Broadway and E. 10th Street.
Read MoreIn typical Godardian fashion, ALPHAVILLE is a science fiction film, shot entirely on location, which uses no special frills to create a futuristic, truly alien ambience. Classical Parisian architecture mingles with Modernist high-rise buildings, and characters refer both to an imaginary future and to real current events. ALPHAVILLE is as slick, stylish, and improvisational as its New Wave siblings, but it is more concerned with big concepts like history, authoritarianism, and individual freedom than it is with interpersonal relationships.
Read MoreRobert Kramer's ICE (1969) follows an underground revolutionary group as they carry out urban guerrilla attacks against a fictionalized fascist regime in the United States, while struggling against internal strife. This narrative is intermixed with sequences that explain the philosophy of radical action and play down the melodrama inherent in the thriller genre.
Read MoreThe Museum of Modern Art presents The Experimental Narratives of Warren Sonbert, organized by Ron Magliozzi, Curator, Department of Film, and Guest Curator GME President Jon Gartenberg. In a career that spanned the American experimental film world from New York City to San Francisco, filmmaker Warren Sonbert (1947–1995) was driven by the belief that “independent film…is the only avenue for those who want to take risks and satisfy their own self-imposed demands.”
Read More"It is in search of a treasure that my gaze wanders along the lines, spinning along the walls, sliding on the ridges, on the summits, crossing the woods suspended from the cliffs, sliding on the steep peaks of crumbling rocks. My eyes, sometimes with my camera, sometimes without, make a fortune out of nothing accumulated in my heart. Slowly, without thinking, without desiring, they forget and discover a wonderful adventure in life…
Read MoreThis past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.
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