GME News
On the occasion of the Martha Graham Dance Company’s centennial celebration, GME revisits Jack Mitchell’s rich repository of photographs chronicling Graham and her collaborators, taken during a period in the legendary dancer’s career that was marked by intense creative transformation and rebirth.
Read MoreGartenberg Media Enterprises and The Museum of Modern Art announced MoMA’s acquisition of the archive of Adrienne Mancia (1927-2022) in conjunction with the museum’s recently concluded two month-long tribute In Celebration of Adrienne Mancia. This acquisition by MoMA reflects GME’s longstanding priority to excavate various film, photography, and book and paper collections and place them in museums and archives for long-term safekeeping, preservation, and study.
Read MoreGME remembers singer Mary Weiss, best known as the frontwoman of the 1960s girl group The Shangri-Las, who passed away on January 19th, 2024, at the age of 75. The cover photo for The Shangri-Las’ first album, Leader of the Pack, was taken by photographer Hugh Bell, whose vast collection GME represents. Notably, GME licensed Bell’s Leader of the Pack cover art for the 2022 film Call Jane, a 1970s-set abortion drama directed by Phyllis Nagy and starring Elizabeth Banks, which features the LP in one of its scenes.
Read MoreJackie Raynal’s DEUX FOIS (1969) and Philippe Garrel’s LA CICATRICE INTERIEURE (1972) will play at the Harvard Film Archive on February 3rd in conjunction with the publication of The Afterimage Reader: a compendium of essays, assembled by The Visible Press, from the magazine Afterimage. GME distributes, to the North American university market, DEUX FOIS as both a DVD and a DSL file, and LA CICATRICE INTERIEURE as both a DVD/Blu-Ray combo pack and a DSL file.
Read MoreOn Monday, January 29th, at 7pm, the Film-Makers’ Cooperative will show four films about “Happenings” in a program aptly titled WHAT’S HAPPENING?. A perfect companion to this program is the 17-film boxset FLUXFILM ANTHOLOGY, which GME distributes to the North American university market as both a DSL file and DVD.
Read MoreAs part of their Essential Cinema series, a collection of films screened on a repertory basis, Anthology Film Archives will show Robert Flaherty’s 1922 drama NANOOK OF THE NORTH on January 28th, at 5:45pm. GME distributes NANOOK OF THE NORTH on Blu-Ray to the North American university market.
Read MoreOn Friday, January 26th, at 6:45pm, both Vivian Ostrovsky’s U.S.S.A. and Peter Weibel’s TV & VT-WORKS, are screening in the DINAMO: Information program at the International Film Festival Rotterdam (IFFR). Both of these filmmakers are distributed by GME to universities in North America.
Read MoreOn January 26th, the New York Public Library for the Performing Arts at Lincoln Center will present the 2024 Jerome Robbins Dance Division Annual Symposium, a “day-long exploration of Martha Graham and her legacy as her company celebrates its centennial anniversary.” In the 1960s and ‘70s, Graham and her dance company were documented extensively by photographer Jack Mitchell, whose collection GME proudly represents.
Read MoreFrom Tuesday, January 23rd to Sunday, January 28th, the French Institute Alliance Française will present the seventh annual Animation First Film Festival. The program Best of Annecy 2023, which highlights work from last year’s Annecy International Animation Film Festival, will play on Friday, January 26th, at 9:45pm, at the FIAF Florence Gould Hall. The late Adrienne Mancia, a close friend and colleague of GME President Jon Gartenberg going back to the early 1970s, when they both worked in the Department of Film at The Museum of Modern Art, was one of the first curators to introduce the Annecy Film Festival in North America. She was also a jury member in 1993.
Read MoreOn Wednesday, January 24th, at 4pm, the experimental short film QUEER DREAM TRIPTYCH, made by GME consultant Matt McKinzie, will screen in Film Diary NYC’s third annual film festival, titled “Coldest Winter.” Organized by Saint Piñero and Sage Ó Tuama, Film Diary NYC “programs experimental non-fiction films that capture the personal history and daily experiences of the filmmaker and the world they encounter.” GME is proud to distribute diary films of personal and poetic nature to the North American university market.
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