Hou Hsiao-Hsien's THE BOYS FROM FENGKUEI Screens at New York's Asia Society and Museum on January 8th

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Hou Hsiao-Hsien's THE BOYS FROM FENGKUEI Screens at New York's Asia Society and Museum on January 8th

Tonight, January 8th, at 6:30pm, an imported 35mm print of Hou Hsiao-Hsien’s THE BOYS FROM FENGKUEI (1983) will screen at New York’s Asia Society and Museum as part of Films To See Before You Die, an ongoing monthly series featuring “classic films and underseen gems from across Asia and the Asian diaspora with extended introductions by Asia Society's Curator of Film.” GME distributes THE BOYS FROM FENGKUEI in the collection HOU HSIAO-HSIEN: EARLY WORKS, which also features the filmmaker’s earlier features CUTE GIRL (1980) and THE GREEN, GREEN GRASS OF HOME (1982). The collection is available to North American academic institutions as a DVD published by Cinematek, which includes three audiovisual essays by Adrian Martin and Cristina Álvarez López as bonus features, and is accompanied by a multi-lingual booklet by Tom Paulus.

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December 2024 Roundup Related to GME Titles, Artists, and Colleagues

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December 2024 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap news, events and celebrations from December, in New York City and beyond, related to GME titles, artists, and colleagues. On World AIDS Day, GME welcomed Jim Hubbard’s documentary ELEGY IN THE STREETS (1989) into our library of films currently available for international institutional acquisition. On December 11th, GME launched the Adrienne Mancia Streaming Room, where you can now stream films, clips, and other audiovisual ephemera related to the professional career of legendary film programmer and curator Adrienne Mancia.

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November 2024 Roundup Related to GME Titles, Artists, and Colleagues

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November 2024 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap events and celebrations from November — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME remembered Judith Jameson, and celebrated the Paul Taylor Dance Company’s season at Lincoln Center, with photographs by Jack Mitchell. GME also licensed footage from Martina Kudláček’s NOTES ON MARIE MENKEN (2006) for the launch of Artifacts, an online platform “connecting viewers with the cultural architects of the avant-garde, LGBTQ+, and underground arts.

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GME Presents Austrian Films and Filmmakers, On the Occasion of "YES & NO: Austrian Artist Film @ ICA London"

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GME Presents Austrian Films and Filmmakers, On the Occasion of "YES & NO: Austrian Artist Film @ ICA London"

On November 5th and 12th, YES & NO Magazine celebrated their 13th edition YES & NO Kino+Film Austria, which sheds light on more than 100 years of Austrian cinema by presenting a two-part program with the ICA and sixpackfilm. GME distributes several of these films as DVDs and DSL/DVD bundles, in collaboration with Index Edition/sixpackfilm, to the North American institutional market.

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GME Presents Four Films by Robert Kramer, On the Occasion of the Austrian Film Museum's Kramer Retrospective This Month

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GME Presents Four Films by Robert Kramer, On the Occasion of the Austrian Film Museum's Kramer Retrospective This Month

From October 18th to November 28th, the Austrian Film Museum mounted a retrospective of the films of Robert Kramer. GME distributes eight films by Kramer, four of which — THE EDGE, ICE, GUNS, IN THE COUNTRY, and VIDEOLETTERS — were featured in the retrospective.

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World AIDS Day: Erasure in Elegy in the Streets

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World AIDS Day: Erasure in Elegy in the Streets

December 1st is World AIDS Day, an international day dedicated to raising awareness of the AIDS pandemic and honoring those who we have lost to HIV/AIDS. On this day of consciousness-raising, mourning, and remembrance, GME is honored to welcome Jim Hubbard’s ELEGY IN THE STREETS (1989) on DSL into our library of films currently available for international institutional acquisition.

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October 2024 Roundup Related to GME Titles, Artists, and Colleagues

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October 2024 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap events and celebrations from October — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME dove deep into our film and photography collections in honor of LGBTQ+ History Month, highlighting a number of films by LGBTQ+ filmmakers that we distribute on DSL, Blu-Ray, and DVD, as well as photographs of pioneering dancers Louis Falco, Bill T. Jones, and Arnie Zane taken by Jack Mitchell.

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LGBTQ+ Films and Filmmakers

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LGBTQ+ Films and Filmmakers

Beginning in the 1980s, Queer Studies became popular in academic curricula and has resulted, over the ensuing decades, in a body of literature about films and filmmakers viewed through this lens. In honor of LGBTQ+ History Month, GME highlights an array of moving image works that we distribute (both classic and contemporary) by LGBTQ+ artists and/or about topics and themes relevant to the LGBTQ+ community. These works are available to academic institutions in North America, and are distributed in collaboration withIndex Edition, Re:Voir Video, Flicker Alley, MētisPresses, Kino Lorber, and Edition Filmmuseum.

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Revisiting Ken Jacobs' CYCLOPEAN 3D for Home Movie Day

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Revisiting Ken Jacobs' CYCLOPEAN 3D for Home Movie Day

For last year’s Home Movie Day, GME highlighted Hollywood icon Rock Hudson, who appears in Mark Rappaport’s found footage video essay ROCK HUDSON’S HOME MOVIES. This year, we turn our attention to an avant-garde icon, Ken Jacobs, whose experimental “home movie” CYCLOPEAN 3D: LIFE WITH A BEAUTIFUL WOMAN was produced by GME through the Experimental Filmmakers Production Fund. GME President Jon Gartenberg presented CYCLOPEAN 3D the International Film Festival of Rotterdam in 2012, where he dubbed the film Jacobs’ “most directly autobiographical work to date.”

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ZANZIBAR Film Collective

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ZANZIBAR Film Collective

During the volatile late 1960s in Paris, the filmmaking collective known as Zanzibar began creating outsider movies, many of which are now lost or neglected. Though all members were cinephiles, they had only modest filmmaking experience. Still, the Zanzibar films are infused with the countercultural energy and restlessness of the times, thanks to the group’s refreshing lack of experience and regard for cinematic convention. GME distributes a number of films that emerged from the Zanzibar collective on DSL and DVD to the North American institutional market. These films have continued relevance among cinephiles today; notably, Metrograph mounted the series One More Time: The Cinema of Daniel Pommereulle last month, which featured a number of Zanzibar titles that we also distribute.

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