GME News
GME Unearths Jon Gartenberg's 1990 Article on Michael Powell's PEEPING TOM, Now Screening at MoMA
/On Wednesday, July 10th at 7pm, and Sunday, July 28th at 4pm, Michael Powell’s classic 1960 thriller PEEPING TOM will screen at The Museum of Modern Art as part of their month-long retrospective Cinema Unbound: The Creative Worlds of Powell and Pressburger. On the occasion of this celebration of Powell and Pressburger’s collaborations (and of Powell’s PEEPING TOM specifically — a controversial solo effort that horrified British audiences and film censors), GME has unearthed an archival gem from Jon Gartenberg’s papers pertaining to Powell’s still-shocking thriller. For the Spring 1990 issue of MoMA’s Members Quarterly, Gartenberg wrote an article that explores the psychological and voyeuristic capacities of the cinematic and photographic mediums as conveyed in both Powell’s PEEPING TOM and Alfred Hitchcock’s beloved 1954 thriller REAR WINDOW.
Read MoreJune 2024 Roundup Related to GME Titles, Artists, and Colleagues
/Happy Summer from Gartenberg Media Enterprises! Today we reflect on screenings, events, and celebrations from June, in New York City and beyond, related to GME’s multifaceted projects. Notably, a suite of films by Warren Sonbert, whose body of work and legacy GME represents, played at the National Gallery of Art, while several films by Alexander Kluge, whose work GME distributes to the North American University Market, were shown at e-Flux Screening Room as part of an extensive, week-long retrospective.
Read MoreMay 2024 Roundup Related to GME Titles, Artists, and Colleagues
/It’s finally June, and with the start of summer officially just around the corner, here is a recap of screenings, events, and celebrations from May, in New York City and beyond, related to GME’s multifaceted projects. Notable exhibition programs include a suite of films by Man Ray at Boston’s Brattle Theatre and a collaboration between the Film-Makers’ Cooperative and Film at Lincoln Center; both programs featured filmmakers and films GME distributes to universities in North America. Also in May, MoMA and Anthology Film Archives mounted retrospectives of the work of Warren Sonbert’s colleagues Nathaniel Dorsky and Jerome Hiler, both of whom GME featured in a compilation reel of clips from Sonbert’s films. Additionally, GME licensed three photographs from the Raimondo Borea collection for two books and a documentary film.
Read MoreWarren Sonbert Retrospective at the National Gallery of Art June 8th-9th
/A series of films by Warren Sonbert, curated and presented by GME President Jon Gartenberg, will screen at the National Gallery of Art in Washington D.C. in June as part of the museum’s annual Pride Month event We Have Always Been Here. Gartenberg adapted these Sonbert programs from the Sonbert retrospective that played at The Museum of Modern Art in May of last year.
Read MoreDominic Angerame Co-Curates Program of Bay Area Films To Play at the Film-Makers' Cooperative on June 7th
/On June 7th, at 7pm, experimental filmmaker and former Executive Director of Canyon Cinema, Dominic Angerame, will present a program of eight films catalogued by both Canyon and the Film-Makers’ Cooperative, titled From West and East: Canyon Cinema Meets the Coop. Scholar and educator Kornelia Boczkowska co-curated the program with Angerame, which features two of Angerame’s recent films: LUMINAE (2023) and AEON (2024). GME is proud to distribute nine of Angerame’s city symphony films in the collection CITYSCAPES, which is available to the North American university market as both a DVD and DSL.
Read MoreApril 2024 Roundup Related to GME Titles, Artists, and Colleagues
/Happy May from Gartenberg Media Enterprises! Today, we’re reflecting on screenings, events, and celebrations from April, in New York City and beyond, related to GME colleagues, as well as titles and/or artists in our collection that we distribute to the North American university market. Notably, films by Warren Sonbert and Jean-Pierre Melville played at Sweet Void Cinema and Film Forum, respectively. GME also highlighted Hugh Bell’s portraits of jazz legends for International Jazz Day, and reflected on Jack Mitchell’s photos of dancer and choreographer Arthur Mitchell, founder of Dance Theatre of Harlem, on the occasion of DTH’s festival-style weekend of performances at New York City Center.
Read MoreFebruary 2024 Roundup Related to GME Titles, Artists, and Colleagues
/Happy March from Gartenberg Media Enterprises! Today, we’re reflecting on screenings, events, and celebrations from February, in New York City and beyond, related to GME colleagues, as well as titles and/or artists in our collection that we distribute to the North American university market. Notably, films by French cinema icons Jackie Raynal and Philippe Garrel screened at Anthology Film Archives, while CARRIAGE TRADE, the magnum opus of Warren Sonbert — whose work and legacy GME is proud to represent — returned to the Centre Pompidou 48 years after it was first shown there.
Read MoreIn Celebration of Black History Month, GME Highlights Photographer Hugh Bell and The Kamoinge Workshop
/In 1955, Edward Steichen, then Director of the Photography Department at MoMA, mounted an exhibition of images from around the world as a “manifesto for peace and the fundamental equality of mankind.” That exhibition, titled The Family of Man, quickly became a 20th century cultural phenomenon and was added to UNESCO’s Memory of the World register in recognition of its historical value. “Hot Jazz” (pictured here) by Black photographer Hugh Bell (1927—2012) was selected for this ambitious exhibit. This Black History Month, GME highlights Bell’s impressive body of work (namely his suite of images of Jazz Greats from the 1950s) and his influence on the Kamoinge Workshop.
Read MoreJanuary 2024 Roundup Related to GME Titles, Artists, and Colleagues
/Happy Winter from Gartenberg Media Enterprises! Today, we’re reflecting on screenings, events, and celebrations from January, in New York City and beyond, related to GME colleagues, as well as films and/or filmmakers in our collection that we distribute to the North American university market. Notably, Anthology Film Archives screened a number of titles (by esteemed filmmakers like Sergei Eisenstein and Carl Th. Dreyer) that we currently distribute. Additional screenings of work related to GME and our colleagues appeared at various venues around the globe — ranging from august organizations like the International Film Festival of Rotterdam and The Film-Makers’ Cooperative, to exciting newer festivals like Animation First and Film Diary NYC.
Read More









