GME News
The iconoclastic figurative painter amidst the surging reign of abstract expressionist painters of the 1960, Alfred Leslie was also a noted filmmaker, especially well-known for his films THE CEDAR TAVERN (1952, from his own play of the same title), and the definitive Beat film, PULL MY DAISY (1959), made with Jack Kerouac, Allen Ginsberg, Robert Frank and other luminaries from the scene.
Read MoreAmerican composer William Susman has created a distinctively expressive voice in contemporary classical music, with a catalog that includes orchestral, chamber, and vocal music, as well as numerous film scores. He is the composer of the haunting score for Steven Bilich’s 2006 award winning NATIVE NEW YORKER, a film that reflects on the enormity of the 9/11 attack on New York…
Read MoreGME’s president, Jon Gartenberg, met and worked alongside Adrienne Mancia at MoMA for many years, during which time they forged a life-long friendship that lasted until her very last days in NYC, where she lived until her recent death.
Read MoreWarren Sonbert’s film about art vs. industry and their various crossovers will conclude Scratch: PORTRAITS FILMED BY LUKE FOWLER, presented by Light Cone at Le Luminor Hôtel de ville, on February 14th. DIVIDED LOYALTIES will be accompanied by a sound composition Fowler created in collaboration with Richard McMaster.
Read MoreGME would like to share some photographs by Jack Mitchell of the artist Alex Katz alongside the exhibition, currently at the Guggenheim Museum, of 8 decades of Katz’s portraits, social scenes, and landscapes, which capture the immediacy of visual perception in his paintings.
Read MoreRunning from January 12 to February 2, 2023, this year’s program will open and close with the restoration premieres of two major silent films from MoMA’s archive: Paul Leni’s horror comedy THE CAT AND THE CANARY (1927) and Ernst Lubitsch’s comedy THE MARRIAGE CIRCLE (1924), respectively.
Read MoreIn the spirit of the year-end lists of recent and retrospective, enduring film triumphs, GME is happy to share in some of the list-making and cinematic memories. Excitement and conversations (and arguments) stirred up by 2022’s prominent list highlights from BFI's Sight Sound has prompted us to round up a somewhat broader, consensus driven collection of films from across a diverse categorization of filmic art, the zone in which GME lives.
Read MoreGME provided clips from Jonas Mekas’ ZEFIRO TORNA (1992), LOST LOST LOST (1976), SCENES FROM THE LIFE OF ANDY WARHOL (1992), and RE: MACIUNAS AND FLUXUS (2011), as well as from Gideon Bachmann’s UNDERGROUND NEW YORK (1968), for this documentary feature by Amanda Kim on the father of video art, that is having its World Premiere January 22nd at the Sundance Film Festival.
Read MoreHugh Bell’s iconic photograph Hot Jazz (1952) was exhibited in Edward Steichen’s groundbreaking exhibition at The Museum of Modern Art, The Family of Man, in 1955. Now, for the first time since then, this photograph is currently installed in MoMA”s Gallery 402, which is dedicated to the theme In and Around Harlem.
Read MoreEach of Michael Snow's works, spanning across painting, sculpture, video, film, photography, holography, drawing, publishing and music, invites us to experience, question and contemplate representation, its process and material.
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