GME News
December 1st is World AIDS Day, an international day dedicated to raising awareness of the AIDS pandemic and honoring those who we have lost to HIV/AIDS. On this day of consciousness-raising, mourning, and remembrance, GME is honored to welcome Jim Hubbard’s ELEGY IN THE STREETS (1989) on DSL into our library of films currently available for international institutional acquisition.
Read MoreThis month, the Paul Taylor Dance Company is presenting a series of dances at Lincoln Center under the artistic direction of Michael Novak. This series includes two world premieres by resident choreographer Lauren Lovette, a world premiere by Robert Battle, and ten dances by founder Paul Taylor. To mark the occasion, GME reflects on a series of photographs of Taylor's dance company taken by Jack Mitchell, spanning the 1960s to the mid-1990s.
Read MoreGME remembers celebrated dancer and choreographer Judith Jamison with photographs taken by Jack Mitchell that chronicle her role in the 1980 Broadway musical SOPHISTICATED LADIES. Jamison passed away on November 9th at the age of 81.
Read MoreToday we recap events and celebrations from October — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME dove deep into our film and photography collections in honor of LGBTQ+ History Month, highlighting a number of films by LGBTQ+ filmmakers that we distribute on DSL, Blu-Ray, and DVD, as well as photographs of pioneering dancers Louis Falco, Bill T. Jones, and Arnie Zane taken by Jack Mitchell.
Read MoreTonight, October 30th, at 7:30pm, Bill T. Jones' groundbreaking and once-controversial multimedia dance show STILL/HERE returns to the Brooklyn Academy of Music, where it first premiered 30 years ago. In 1983, Bill T. Jones and his partner Arnie Zane founded the Bill T. Jones/Arnie Zane Dance Company, which is currently in its 42nd season. A year later, Jack Mitchell photographed the duo for the cover of Dance Magazine, posed in front of original artwork by Keith Haring. Zane and Haring passed away from AIDS-related complications in 1988 and 1990, respectively. As Jones' STILL/HERE makes its triumphant return to the BAM stage, GME features Mitchell's photograph commemorating the legacy of Haring's visual art and Jones and Zane's partnership.
Read MoreBeginning in the 1980s, Queer Studies became popular in academic curricula and has resulted, over the ensuing decades, in a body of literature about films and filmmakers viewed through this lens. In honor of LGBTQ+ History Month, GME highlights an array of moving image works that we distribute (both classic and contemporary) by LGBTQ+ artists and/or about topics and themes relevant to the LGBTQ+ community. These works are available to academic institutions in North America, and are distributed in collaboration withIndex Edition, Re:Voir Video, Flicker Alley, MētisPresses, Kino Lorber, and Edition Filmmuseum.
Read MoreFor last year’s Home Movie Day, GME highlighted Hollywood icon Rock Hudson, who appears in Mark Rappaport’s found footage video essay ROCK HUDSON’S HOME MOVIES. This year, we turn our attention to an avant-garde icon, Ken Jacobs, whose experimental “home movie” CYCLOPEAN 3D: LIFE WITH A BEAUTIFUL WOMAN was produced by GME through the Experimental Filmmakers Production Fund. GME President Jon Gartenberg presented CYCLOPEAN 3D the International Film Festival of Rotterdam in 2012, where he dubbed the film Jacobs’ “most directly autobiographical work to date.”
Read MoreToday we recap the numerous screenings, events, and celebrations from October — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME President Jon Gartenberg collaborated with Elena Rossi-Snook to curate a program of films dealing with sex and censorship that screened at the New York Public Library. Additionally, a number of titles that GME distributes to North American universities appeared in screenings mounted by several noteworthy institutions last month, including the Harvard Film Archive, Metrograph, Light Industry, and the Film-Makers’ Cooperative.
Read MoreIn honor of LGBTQ+ History Month, GME presents a suite of photographs taken by Jack Mitchell of dancer and choreographer Louis Falco.
Read MoreDuring the volatile late 1960s in Paris, the filmmaking collective known as Zanzibar began creating outsider movies, many of which are now lost or neglected. Though all members were cinephiles, they had only modest filmmaking experience. Still, the Zanzibar films are infused with the countercultural energy and restlessness of the times, thanks to the group’s refreshing lack of experience and regard for cinematic convention. GME distributes a number of films that emerged from the Zanzibar collective on DSL and DVD to the North American institutional market. These films have continued relevance among cinephiles today; notably, Metrograph mounted the series One More Time: The Cinema of Daniel Pommereulle last month, which featured a number of Zanzibar titles that we also distribute.
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