Watch an Excerpt from the Closing Night Q&A at MIX Fest 2024, Featuring GME President Jon Gartenberg and GME Associate Matt McKinzie

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Watch an Excerpt from the Closing Night Q&A at MIX Fest 2024, Featuring GME President Jon Gartenberg and GME Associate Matt McKinzie

On November 23rd, 2024, QUEER DREAM TRIPTYCH, a found footage poem film by GME associate Matt McKinzie, screened at the Quad Cinema in the closing night program of MIX: The New York Queer Experimental Film Festival. The post-screening Q&A session with the filmmakers involved rich, cross-generational discourse pertaining to depictions of pleasure versus depictions of trauma, as related to queer identity and sexuality, in the selected films. This Q&A session was filmed and made available to the public on March 21st. GME President Jon Gartenberg, in attendance that evening with GME Fine Arts Curator David Deitch, commended the filmmakers for “externalizing their interior struggles on the screen,” praising their willingness to be “vulnerable” in their work and remarking that he found this kind of filmmaking — wherein the artists confronted their trauma in their art — to be “new and refreshing.”

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Read Jon Gartenberg's Program Note for Abigail Child's THE SUBURBAN TRILOGY

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Read Jon Gartenberg's Program Note for Abigail Child's THE SUBURBAN TRILOGY

On Friday, March 28th, filmmaker and poet Abigail Child presented her feature-length cinematic triptych THE SUBURBAN TRILOGY at the Film-Makers’ Cooperative, of which she is a longtime member. THE SUBURBAN TRILOGY is comprised of three films Child created over the span of a decade: CAKE AND STEAK (2004), THE FUTURE IS BEHIND YOU (2004), and SURF AND TURF (2008—11). Child describes the trilogy as “prismatic” and being “about girlhood and the immigrant dream, focusing on post-WWII North American suburbs and… the war in Europe, critically seen through the lens of gender, property and myths of nation.” GME President Jon Gartenberg is a longtime friend and collaborator of Child’s and has programmed her work at film festivals internationally, including THE SUBURBAN TRILOGY, which was screened at the Pesaro Film Festival. Gartenberg contributed the program note for this screening at the Film-Makers’ Cooperative, which can be read here.

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Jack Mitchell: Artists

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Jack Mitchell: Artists

Photographer Jack Mitchell would have turned 100 years old in 2025. In recognition of the centennial of this creative and historically significant artist, GME now offers a series of readymade exhibitions that showcase Mitchell’s extensive photographic oeuvre.

Over the course of his half-century professional career, Mitchell documented a vast array of artists in the fields of music, dance, theatre, literature, and the fine arts. No exhibition encapsulates this history better than Jack Mitchell: Artists, which features over 50 silver gelatin and color photographs of noteworthy American visual, musical, and literary talents. This show first opened on May 16, 2021, at the Adtran, Jurenko & Thurber Galleries at the Huntsville Museum of Art, and is currently available to galleries, museums, and other cultural institutions both in the U.S. and abroad.

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Now Playing in the Adrienne Mancia Streaming Room: Hiroshi Teshigahara's WOMAN IN THE DUNES, Plus Experimental Shorts by Donald Richie and Rare Archival Treasures

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Now Playing in the Adrienne Mancia Streaming Room: Hiroshi Teshigahara's WOMAN IN THE DUNES, Plus Experimental Shorts by Donald Richie and Rare Archival Treasures

In addition to her work as a film programmer, Adrienne Mancia was an accomplished writer of film criticism and film treatments. Hiroshi Teshigahara’s 1964 avant-garde psychological thriller WOMAN IN THE DUNES was a film Mancia championed at length in Film Comment, and is one of the titles GME’s team has selected to stream this month in the Adrienne Mancia Streaming Room.

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February 2025 Roundup Related to GME Titles, Artists, and Colleagues

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February 2025 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap screenings, events, and celebrations from February, in New York City and beyond, related to GME titles, artists, and colleagues. Notably, Jack Mitchell’s photographic oeuvre was highlighted on the occasion of Black History Month, in recognition of exhibitions and performances at the Whitney and Lincoln Center, and upon the passing of legendary singer-songwriter Roberta Flack. Furthermore, Francis Ford Coppola’s feature directorial debut streamed in the Adrienne Mancia Streaming Room beginning on February 12th.

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January 2025 Roundup Related to GME Titles, Artists, and Colleagues

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January 2025 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap screenings, events, and celebrations from January, in New York City and beyond, related to GME titles, artists, and colleagues. In the first half of the month, a number of films that GME distributes to universities in North America were programmed at Anthology Film Archives. In the latter half of the month, GME highlighted the work of photographers Raimondo Borea, Hugh Bell, and Jack Mitchell. Specifically, Borea and Bell’s oeuvres were highlighted with the release of GME's New Photo Licensing Reel, and Mitchell’s 1963 portraits of dancer Maria Tallchief were revisited ahead of the New York City Ballet’s celebration of Tallchief’s centennial. Additionally, Mitchell’s 1994 images of Paul Taylor dancing with Mikhail Baryshnikov were presented in a new video, in recognition of the Jerome Robbins Dance Division’s 2025 Dance Symposium celebrating Baryshnikov and his legacy.

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Now Playing in the Adrienne Mancia Streaming Room: Francis Ford Coppola's DEMENTIA 13

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Now Playing in the Adrienne Mancia Streaming Room: Francis Ford Coppola's DEMENTIA 13

As a programmer at The Museum of Modern Art, Adrienne Mancia was an advocate of progressive “New Hollywood” filmmakers such as Francis Ford Coppola who, in the late 1960s and early ‘70s, subverted the moral and aesthetic traditions (and limitations) of the studio system by producing thematically and stylistically challenging work influenced by European cinema, the American avant-garde, and the countercultural ethos of the era at large. This month in the Adrienne Mancia Streaming Room, GME presents Coppola’s debut feature film DEMENTIA 13 (1963), which screened in MoMA’s November—December 2023 tribute to Mancia.

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Harlem, Hollywood, Broadway: Celebrating Black History Month

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Harlem, Hollywood, Broadway: Celebrating Black History Month

Over the course of his half-century professional career, photographer Jack Mitchell documented a unique history of artists in the fields of dance, theatre, music, the fine arts, film, and television. Mitchell would have turned 100 years old this year. In recognition of the centennial of this creative and historically significant photographer, GME now offers a series of readymade exhibitions throughout 2025 that showcase Mitchell’s iconic photographs. This Black History Month, we present Harlem, Hollywood, Broadway: African American Legends, which features 36 silver gelatin and color photographs of noteworthy African-American artists and performers that Mitchell took over the span of his five-decade career. This show first opened at the Huntsville Museum of Art in Alabama in January 2020 and is currently available to galleries, museums, and other cultural institutions both in the U.S. and abroad.

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Baryshnikov / Taylor, '94

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Baryshnikov / Taylor, '94

Tomorrow, January 31st, the Jerome Robbins Dance Division will present its 2025 Dance Symposium at the New York Public Library for the Performing Arts at Lincoln Center. This year's Symposium will offer a day-long exploration of Mikhail Baryshnikov and his legacy, on the occasion of the 50th anniversary of his arrival to the United States from the Soviet Union. GME pays tribute to Baryshnikov with this suite of photographs taken by Jack Mitchell, which capture Baryshnikov dancing with Paul Taylor before performing with his dance company in October 1994.

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