Raimondo Borea's Photograph of Johnny Carson and Steve Allen Featured in Marilyn Maye Show at 54 Below

Raimondo Borea's Photograph of Johnny Carson and Steve Allen Featured in Marilyn Maye Show at 54 Below

On Thursday, October 30th, GME President Jon Gartenberg, GME Fine Arts Curator David Deitch, and GME Associate Matt McKinzie attended a live musical performance by celebrated singer Marilyn Maye at 54 Below. Maye is a Grammy-nominated performer who was discovered by Steve Allen in 1963. She went on to appear on The Tonight Show Starring Johnny Carson a record 76 times, the most of any other musical guest. She also recorded a number of successful albums for RCA in the 1960s, and at the age of 97, continues to perform live. Throughout her show at 54 Below, Maye shared clips from her appearances on The Tonight Show as well as stills from the show itself. One of the stills is an on-set photo taken by Raimondo Borea. Borea, a freelance photographer, was afforded exclusive behind-the-scenes access to The Tonight Show, where he captured candid portraits of the show’s hosts and celebrity guests. The Borea photo featured in Maye’s show is from the mid-1960s and captures host Johnny Carson and guest Steve Allen sharing a laugh. GME represents Borea’s photographic oeuvre and is committed to resurrecting the career of this important yet overlooked artist. GME recently partnered with Getty Images to make Borea’s photographs of The Today Show and The Tonight Show available for licensing. Please contact info@gartenbergmedia.com for all inquiries related to the Borea photography collection.

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Mark Street's film CITY WALK, made for Jon Gartenberg, screened at The Film-Makers' Cooperative on October 28th

Mark Street's film CITY WALK, made for Jon Gartenberg, screened at The Film-Makers' Cooperative on October 28th

On Tuesday, October 28th, The Film-Makers’ Cooperative presented a program of recent city-themed films by Mark Street, as well as an accompanying program of older city-themed works from the Coop’s collection co-curated by Street and GME associate Matt McKinzie. The program was titled THE REFRACTED CITY and showcased Street’s films RIVER OF DAYS, LUNETTE, ALL DAY AND ALL OF THE NIGHT, CLEAR ICE FERN, THE GRAIN OF BELFAST and DESCENT, alongside Marie Menken’s GO GO GO, Donna Deitch’s SHE WAS A VISITOR, Rudy Burckhardt’s SQUARE TIMES, Stan Brakhage’s THE WONDER RING, and Rick LissNO YORK CITY.

GME President Jon Gartenberg curated numerous films by Street while working as a programmer at the Tribeca Film Festival from 2003 to 2014. Gartenberg once noted, about Street’s films: “The globe is Mark Street’s cinematic canvas onto which he impresses shimmering reflections and lyric montage sequences.” Gartenberg later joined Street on a day of filming in New York City, as part of an experience with a filmmaker that he won at an auction at The Film-Makers’ Cooperative. The resulting 16mm work — which Street titled CITY WALK — is a unique, one-of-a-kind piece in GME’s archive of experimental filmmakers’ work.

CITY WALK was included as a surprise addition to Street’s program at the Coop. Gartenberg wrote a heartfelt note about the experience of making CITY WALK with Street, which McKinzie read on his behalf.

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Bookending New Hollywood: Joseph Cates' WHO KILLED TEDDY BEAR? and Paul Morrissey's MIXED BLOOD

Bookending New Hollywood: Joseph Cates' WHO KILLED TEDDY BEAR? and Paul Morrissey's MIXED BLOOD

Gartenberg Media Enterprises is pleased to distribute new 4K restorations by Cinématographe of two seminal New York City thrillers — Joseph Cates’ WHO KILLED TEDDY BEAR? and Paul Morrissey’s MIXED BLOOD — to North American cultural institutions as Digital Site Licenses.

Released in 1965 and 1984 respectively, WHO KILLED TEDDY BEAR? and MIXED BLOOD both bookend and typify the "New Hollywood" era of the late 1960s and 1970s. Their transgressive explorations of violence, sexuality, social taboos and urban dysfunction emulate such better-known films as MIDNIGHT COWBOY (1969), THE PANIC IN NEEDLE PARK (1971), and TAXI DRIVER (1975).

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Warren Sonbert: A Homecoming

Warren Sonbert: A Homecoming

On Friday, December 5th, at 7pm, new digital restorations of Warren Sonbert's early films screen at the New York Film-Makers' Cooperative, where they were originally distributed on 16mm beginning in the 1960s. These digitizations are now available to rent from the Coop, both individually and as a touring package.

Tickets for this event are now available at filmmakerscoop.ecwid.comNote: seating is limited.

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Happy Hitchcocktober from Gartenberg Media!

Happy Hitchcocktober from Gartenberg Media!

Celebrate HITCHCOCKTOBER with five lesser-known, early films by Alfred Hitchcock, made in his native England prior to his relocation to Hollywood in the early 1940s.

These features, distributed by GME as Digital Site Licenses, find the director working in various genres outside of the thriller territory that eventually made him a household name and earned him the moniker “The Master of Suspense.”

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Sonbert Comes Home to the Film-Makers' Cooperative: The Early Films (1966—1973) Now Available for Rental

Sonbert Comes Home to the Film-Makers' Cooperative: The Early Films (1966—1973) Now Available for Rental

Gartenberg Media Enterprises previously announced the sale of new 2K digital restorations of Warren Sonbert’s early films for acquisition by universities, museums, and other cultural institutions worldwide.

Sonbert’s early films — spanning 1966’s AMPHETAMINE through to 1973’s CARRIAGE TRADE — are also now available for rental on digital formats for the first time from The Film-Makers’ Cooperative, where the artist originally distributed his films on 16mm beginning in the 1960s. The return of these films to this historic organization will therefore be a “homecoming” for Sonbert. Stay tuned for the launch of this touring package, premiering at The Film-Makers' Cooperative on November 15th.

These seven early films can be rented from the Film-Makers’ Cooperative individually. Five of those films (AMPHETAMINE, WHERE DID OUR LOVE GO?, HALL OF MIRRORS, THE BAD AND THE BEAUTIFUL, and CARRIAGE TRADE) can also be rented together as a touring package.

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Ken Jacobs (1933—2025)

Ken Jacobs (1933—2025)

Gartenberg Media Enterprises mourns the loss of legendary filmmaker Ken Jacobs, who passed away on October 5th, 2025, at the age of 92. A founding member of The Film-Makers' Cooperative, Millennium Film Workshop, and the Film Department at Binghamton University, Jacobs was a titan of the New York and global avant-garde filmmaking community for over 60 years.

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September 2025 Roundup Related to GME Artists, Titles, and Colleagues

September 2025 Roundup Related to GME Artists, Titles, and Colleagues

Today we recap screenings, events, and celebrations from September related to GME titles, artists, and colleagues. At the beginning of the month, GME announced our shift to focusing on the distribution of moving image works available as Digital Site Licenses (DSLs). As part of this transition, we announced our distribution of Steve Bilich’s experimental short documentary NATIVE NEW YORKER as well as the early films of Warren Sonbert and films directed by Pierre Clémenti.

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GME Presents 南洋三部曲 (THE NANYANG TRILOGY)

GME Presents 南洋三部曲  (THE NANYANG TRILOGY)

Gartenberg Media Enterprises is pleased to make available three rediscovered classics of Cantonese cinema for exhibition rental and sale to cultural institutions worldwide. 南洋三部曲  (THE NANYANG TRILOGY) is a triptych of films filmed in Singapore and Malaysia that was produced by the Kong Ngee Company in 1957. The titles contained within this trilogy are 椰林月 (MOON OVER MALAYA), 血染相思谷 (BLOOD STAINS THE VALLEY OF LOVE), and 唐山阿嫂 (CHINA WIFE). These films were notable in their time for jumpstarting the careers of teen idols Patrick Tse Yin, Pasty Kar Ling, and Nam Hung. Long elusive, the digital restoration of these films was spearheaded by the Asian Film Archive beginning in 2017. Gartenberg Media Enterprises is pleased to distribute these rediscovered classics of Cantonese cinema to cultural institutions worldwide.

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